Vanity fair print of Head Master William Gunion Rutherford, by Spy 1898.
Lithograph, signed and dated and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 300, on wove paper, with full margins.
Tinguely, Jean, 1925-1991Screenprint in colours, signed in pencil, numbered 18 of an edition of 75.
Frost, Sir Terry, 1915-2003Three-quarter length, standing, wearing a suit and gown Signed l.r.: 19HR20 and charged u.r. with the school's coat of arms
Riviere, Hugh, 1869-1956A copy after the fan portrait hung in the National Portrait Gallery, with an additional strip on the left to centre the portrait. Irene Begbie-Ellissen was the mother of Francis Lyon Gordon Ellissen (AHH 1932-1935).
Begbie-Ellissen, Irene, 1888-1982Portrait of Queen Elizabeth I, bust-length, wearing a white dress and jewelled veil. Inscribed 'Queen Elisabeth' on the cartellino upper left.
Hand-coloured engraving of 'Putney', showing a coxed four in the foreground and the School Boathouse behind.
Pelham sits on the left to the front of the composition. He is depicted with dark blue-grey eyes and heavy eyebrows nearly concealing a wart above his right eye. His long grey wig falling in front of his left shoulder and behind his right. He wears his chancellor's gown with gold lace over black coat, with a flocked details, lace cravat and wrist ruffles. Pelham is seated in a plain red chair, draped curtain behind, a letter without writing in his left hand. On the right sits John Roberts, with dark blue-grey eyes and dark brows. He is positioned behind a table draped with a green cloth. Roberts wears a red coat with the top button fastened and lace cuffs; he holds a quill to a page and further papers topped by an inkstand holding a second quill can be seen on the extreme right. Behind Roberts is an archway with sky and trees visible beyond. The composition is lit from the top left.
Shackleton, John, d.1767