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Letter to the Dean of Westminster School from L. Tanner (Grant's 1905-1909; History Master 1920-1932). He emphasises the importance of the tradition of the Latin Play to the heritage of the school and protests against its discontinuation. Taken from A series 12/05/2015. Previous reference number is given above.

Letter from Peter Brown, Tutor, Trinity College Oxford, to the Westminster School Archivist enquring about information and the availability of archival material relating to the Latin Play.

Letter to from Watkin H. Williams (studied at Westminster School 1858-1863) Lawrence Tanner (Grant's 1905-1909; History Master 1920-1932) concerning the proposed attendance of King George VI at the Latin Play and recording author's mother's recollections of visit of William IV to the Latin Play and Lord Byron's performance at it. This item was removed from the A series 13/05/2015. The previous reference number is given above.

Letter from W.A. Armstrong, Temple Bar, to L. Tanner (Grant's 1905-1909; History Master 1920-1932) thanking him for advice about the screen in College Hall and giving information about a screen in Middle Temple Hall.

Letter from W.A. Armstrong, Temple Bar, to L. Tanner (Grant's 1905-1909; History Master 1920-1932) asking for Tanner's opinion of the screen in College Hall.

Handwritten list of individuals to be invited to a production of 'Asinaria' perfomed in 1976, listed by night of performance. Names are annotated with information about their connection to the school.

Handwritten notes concerning sources available for research into the history of the Latin Play.

Memo concerning the procedure to be followed by boys acting as torch-bearers on the visit of King George VI and Queen Elizabeth to the Latin Play in 1937

This sub-series contains memories of school alumni (and others) relating to the Latin Play. The sub-series is incomplete.

Pen and watercolour drawing of man in classical clothing. An annotation at the foot of the drawing reads 'Old Man: Tunic of Pallium.' Possibly a design drawing for the 'authentic' costumes introduced by Head Master Richard Williamson's from 1839.