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Three-quarters length portrait of Dolben seated on a chair over which his right arm hangs; he wears a blue coat and waistcoat bordered with gold brade, and a grey wig; he holds a black hat in his left hand; a fine brocade curtain hangs in the background.

Half-length oval portrait; Ellis is inclined slightly to the right of the picture; he wears a mortarboard, academic collar and black gown. Glazed.

Distant view of the Abbey from Tothill Street; in the background right centre can be seen Hawksmoor's West Towers of the Abbey, in front of them lies the end of Tothill Street; on the north side of the street we see a 17th century shop and an 18th century shop with three bays and a four storey building of 18th century shops of eight bays; on the south side we can see a butcher's shop and a three bayed 18th century building with dormer windows; there are numerous frequenting chambermaids looking out of the top windows; shoppers and travellers stand in the street while a cart makes deliveries to the butcher.

Drawing with gouache on paper; full length wearing a mortar board and gown; unfinished, only the face has been painted

Half-length portrait on a much reduced scale; Abbott is turned to the right; he wears a white cravat and black coat; the background is grey; framed in an oval. Marked on back "Anna Tonelli" "Fece in Londra 1794" and "Charles Abbot 1st Lord Colchester". Charles Abbot 1st Lord Colchester would have been in his 40s at the time of painting so it is likely that either the artist or sitter is mis-attributed.

Small oil portrait showing Southey's head and shoulders. He looks down and to his left.

Phillimore has curly black hair and pale skin; he is turned to the right of the picture; he wears a black coat and white open shirt; grey background.

Three-quarters length portrait on a much reduced scale. Hobart is seated in a red chair, wearing black, with his hands clasped in his lap; he faces slightly towards the left; to the right is a low table with a number of bundles of papers tied up with red cord or ribbon.

Half length, turned to the left, with his hands rested on a table; a piece of paper lies under his left hand; to the left is a pile of books the top one having traced of gilding on the binding; Nowell wears ecclesiastical dress and a wide brimmed hat; a fishing rod sits above him. The painting bears a coat of arms and extensive inscriptions begining 'Alexander Nowellus Sacra Theol...'