Published
Published
Half length, wearing brown robes. Oil on canvas, in a painted oval English School after Sir Godfrey Kneller, unfinished
29.5" x 24.5"; A painting loan condition report was recieved with the painting when re-loaned in 2014.
Mathew Maty, M.D. bequeathed the painting to the British Museum. Loaned to the school by the National Portrait Gallery, 1981. Returned to National Portrait Gallery, 3rd June 2009. Loaned once again to the school on 27th August 2014. A copy of Kneller's portrait which was entered the Hermitage in 1779; acquired from the R. Walpole collection, Houghton Hall, England.
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Published
Pupil in the top hat and dark suit of a Town Boy, standing in Little Dean's Yard. Irene Begbie-Ellissen was the mother of Francis Lyon Gordon Ellissen (AHH 1932-1935).
8" x 6"
Painted in 1939 for the school.
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Published
Drawing with gouache on paper; full length wearing a mortar board and gown; unfinished, only the face has been painted
12" x 8"
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Published
Phillimore has curly black hair and pale skin; he is turned to the right of the picture; he wears a black coat and white open shirt; grey background.
9" x 8"
Artist inscribed on reverse but illegible.
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Published
Head and shoulders, wearing a white shirt
29.5" x 24.5"
Presented by the Lambrinudi family to the school in the 1980s
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Published
Reverend William Freind (1714-66) as a scholar aged 13, in a carved wooden frame; he is standing in a library wearing a scholar's gown. Freind had four children, the youngest of whom John, succeeded to the estates of his maternal uncle, Richard Robinson, Bishop of Armagh, Baron Rokeby, to become Sir John Robinson.
24" x 17"
The picture came up for sale at Sotheby's through family descent, where the school bought it in October 1990 for
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Published
Half-length oval portrait; Ellis is inclined slightly to the right of the picture; he wears a mortarboard, academic collar and black gown. Glazed.
11.5" x 9"
Not in list of 1921 but at the school by 1934. This portrait was exhibited at the \English at School\" exhibition held by the National Book League in 1949. Labelled on back: \""Presented by his son Dr. Ellis"
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Published
Three-quarters length portrait on a much reduced scale. Hobart is seated in a red chair, wearing black, with his hands clasped in his lap; he faces slightly towards the left; to the right is a low table with a number of bundles of papers tied up with red cord or ribbon.
24" x 20"
Presented to the school by A H Stenning OW (1869-1932). Since then it has been extensively retouched.
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Published
Pencil and gouache on paper, an oval portrait; Abbot as Scholar in the Second Election; he faces towards the left, wearing a blue suit.
10" x 8"
The painting was passed by family descent to Abbott's grandson, the Third Baron. The portrait was bequeathed by his widow to her nieces Lady Clementine Tottenham and Lady Evaline Morde. It was presented to the school by the latter in 1961.
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Published
Portrait of Queen Elizabeth I, bust-length, wearing a white dress and jewelled veil. Inscribed 'Queen Elisabeth' on the cartellino upper left.
18" x 16"
This portrait was painted for John, First Baron Lumley, and is recorded in his inventory of 1590; it was sold in 1785 to Samuel Dickens, Bishop of Durham, who bequeathed it to the school.
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This portrait is mentioned in: 'A Descriptive and Classified History of Portraits of Queen Elizabeth' F. M. O'Donoghue (1894) p27 and 'Portraits of Queen Elizabeth' by Roy Strong (1963) p63. The portrait was exhibited at the National Portrait Exhibition.
Published
Miniature of Mrs. Charlotte Du Brieux
Kept "Mother du Brieux's" Boarding House at No1. Dean's Yard. Formerly Mrs (Driffield) but subsequently married the Chevalier du Brieux ...
2.25" x 3.5"
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Published
Three-quarters length portrait of Lacy as a Queen's Scholar; he is standing near a window, wearing a gown, a mortar board is beside him. In the background through a window can be seen the Hawksmoor Towers of the Abbey as they would appear from Victoria Street.
16" x 12"
In the sitter's collection and that of his daughter, Miss Augusta M. de Lacy Lacy; given by her to the school in 1961.
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Published
Sackville stands in a rural landscape, he is wearing blue and red and holds a cricket bat in his right hand; to the right is a clump of trees and to the left a cricket ball and set of stumps; the grass is parched and yellowish. Inscribed with 'Lord George Sackville'
18" x 10"
This painting dates from after his disgrace and court-martial but before he changed his name and thus this places it in the 1760's. The portrait was bought by the Elizabethan Club in 1915 and lent to the School in the same year, where it hung in the Scott Library. The identity of the subject has been questioned on account of the star on his coat, since Sackville was not a knight of any British order, but the star may be an afterthought.
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Published
Half-length portrait of Dolben, whose head is inclined to the right; he wears a brown coat, green waistcoat and a white shirt and cravat, the background is a shade of blue.
29.5" x 24"
Presumably in the sitter's possession, and after his death his son Sir John English Dolben (OW) will have inherited it. On his death in 1837 when the baronetcy became extinct, the picture descended to his granddaughter Francis, who married William Mackworth-Dolben (OW) who died in 1872. Their only daughter bequeathed it to the school in 1912.
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Published
Head and shoulders, in academic dress and collar, facing slightly to the left; contrived emphasis on the face of the light; inscribed in early 19th century hand 'John Hinchcliffe D.D. 1764'.
29.5" x 24.5"
At the school by the early 19th century at least, probably painted for the school.
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Published
Half-length portrait of Busby wearing academic robes and a scull cap; his body and head are inclined to the left
29.5" x 24.5"
After Busby's death, a mask was taken of his face, and from this a drawing was made by Tilson and engraved by White. The drawing is now lost, and this portrait is a copy from that engraving. Presumably originally in the Bulkeley Collection and presented by the Viscount Bulkeley in 1817. The school has a further four pictures of Busby made from the engraving.
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Published
Half-length portrait in black academic dress and collar, standing facing the left of the picture, Carey's head is turned so as to be almost full face, a red curtain is draped behind him. Inscribed in 19th Century hand, top left 'Wm Carey D.D. 1803-14'.
29" x 24"
Presumably painted for the school. The inscription cannot be much later than 1830, and is probably earlier. This is an early work by Reynolds who started his practice in 1815 in Owen's studio. He presumably got his commission through Owen's friendship with Cyril Jackson, Carey's patron at Christ Church. There is a three-quarter length version by Reynolds at Christ Church, and a smaller replica also in the school's collection.
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Published
Markham is seated, holding a stick in his left hand, facing half to the left, wearing a white wig; a red curtain is draped behind him. Inscribed with: 'Wm Markham D.D. 1753-64'.
18.5" x 24.5"
Presumably painted for the school, where it is recorded in 1893. It was painted in 1799, and Markham's granddaughter, Lady Elizabeth Murray made a copy which was originally at the family home at Bacaa. Portraits of Markham in Hall and Common Room at Christ Church. The school attibutes this painting to John Hoppner
In 'Westminster School. Past and Present', Frederic Forshall writes of a portrait by Reynolds in the Hall at Christ Church and describes it thus ' ... three-quarter length, standing in his episcopal robes'. Forshall goes on to mention ' ... another [ version, sic] in the common room, as Master of Westminster'.
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Published
Half length, turned to the left, with his hands rested on a table; a piece of paper lies under his left hand; to the left is a pile of books the top one having traced of gilding on the binding; Nowell wears ecclesiastical dress and a wide brimmed hat; a fishing rod sits above him. The painting bears a coat of arms and extensive inscriptions begining 'Alexander Nowellus Sacra Theol...'
27" x 21"
Copy made for the school from a contemporary version which is in the Bodleian Collection at Oxford under the direction of Dr. Page, Head Master in 1813. The original was full length and hung in the family collection at Read. Exhibited: National Portrait Exhibition, 1866, no. 358; New Gallery, Exhibition of the Royal House of Tudor, 1890
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Published
Half length, wearing a black coat and skull cap Inscribed l.r.: Marcus Gheeraerts pinxit, and inscribed u.l. with the identity of the sitter and his coat of arms. Extensively inscribed in Latin on a tablet beneath.
27" x 20.5"
This is a slightly reduced version of the portrait given by Camden to Degory Whear who, in turn, bequeathed it to the History School of the University of Oxford in 1626 when he became Camden Professor of History. It is now in the Bodleian Library.
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Published
Half length portrait of Christie standing, wearing a red cassock and a black gown; his head is turned slightly to his right.
36" x 24"
This painting was presented to the school at a ceremony in 1951, after Christie's departure
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Published
A copy after the fan portrait hung in the National Portrait Gallery, with an additional strip on the left to centre the portrait. Irene Begbie-Ellissen was the mother of Francis Lyon Gordon Ellissen (AHH 1932-1935).
36" x 29"
Donated to the School in 1934 (see The Elizabethan July 1934). Does not appear on the list of 19501.
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Published
Half-length portrait; subject is turned to the left, wearing black academic dress; whiskers.
29" x 24"
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Published
Half length portrait; turned slightly to the right, but with almost full face; wearing a wig, dark cloak and white shirt. Unglazed
30" x 25"
Presented by Charles Brodrick Scott in 1867. This portrait was copied from a miniature by Sir W. L. Rees R.A., the artist being a Mrs.Flint (see 'Portraits of Head Masters' p.73) The copy was repainted in great part from the miniature by Mr. E. C. Champion in 1876. The miniature remained in the collection of Goodenough family
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Published
Half length, wearing ecclesiastical dress
29" x 24"
Listed by Sargeaunt in 1921. A similar portrait, differing only in its background which has a curtain and architectural detail, is in the Deanery. Literature: John Ingamells, The English Episcopal Portrait 1559-1835, 1981, p.173, no.B.1 Engraved: By R. Tompson
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Published
Three-quarters length portrait; seated at a table, turned to the left, right hand on upright book, left hand on arm of chair, episcopal robes and mortar board, moustache and untidy fringe; curtain in the background.
50" x 40"
Purchased by the school in 1930. Forshall claims there is a portrait of Morley by Lely in the Hall at Christ church. This portrait is mentioned in 'The English Episcopal Portrait 1559-1835' by John Ingamells (1981), p.303
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Published
Three-quarters length portrait of Williams, who stands turned to the right wearing black robes with a white ruff, black hat and moustache; his right hand rests horizontally across his stomach while his left hand drops to its natural position. On the right of the picture is Williams' coat of arms, inscribed with the identity of the sitter and the date of 1621.
Possibly a variant of a portrait of 1627 by Jackson at St John's College, Cambridge.
50" x 40"
First recorded by Sargeaunt, and exhibited at the 1866 South Kensington Exhibition of National Portraits. This portrait is a variant of one painted by Jackson in 1827 and now in the collection of St. John's College, Cambridge. Sargeaunt records this as similar to a portrait at Lincoln College, Oxford.
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Published
Half-length portrait of Busby wearing academic robes and a scull cap; his body and head are inclined to the left.
27" x 21"
After Busby's death, a mask was taken of his face, and from this a drawing was made by Tilson and engraved by White. The drawing is now lost, and this portrait is a copy from that engraving. This copy is on loan from Christ Church.
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Published
Half-length portrait of Carey in black academic dress and collar; he faces the left of the picture but his head is turned almost full face; a red curtain hangs behind him.
29" x 24"
Probably painted for the school, or bequeathed upon Carey's death. It is listed by Sargeaunt in 1921. There is a three-quarters length version at Christ Church. An autographed version, weaker than this is also in the school's possession, the chief differences being that Carey looks younger in this version and his side whiskers are much less profuse.
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Published
Half-length seated portrait; he wears academic dress, collar and bands; one hand is shown; the painting has become very dark. Signed c.l. J. Harewood pinxt/1844
29" x 24"
This portrait was presented to the school by the executors of the will of Mr. Williamson's son in 1890.
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Published
Three-quarter length, seated, wearing academic dress Oil on canvas
35" x 28"
Presumbly always at the school and noted in Sargeaunt's 1921 list. The original by Owen hangs in the Hall at Christ Church and this is a much reduced copy.
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Published
Half length, wearing academic dress Later inscribed u.l.: John Nicholl D. D. 1765. Aet. 82
29.5" x 24.5"
Presumably always at the school and entered in Sargeaunt's list of 1921. The portrait described by Sargeaunt as the original is at Christ Church and is also attributed to Reynold's studio.
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Published
Head and shoulders, semi-profile; he wears a grey jumper and tie.
8" x 4"
Bequeathed to the school in the Estate of Denny Brock upon his death in 1980
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Published
Head, semi-profile, wearing a grey jumper and tie
8" x 4"
Bequeathed to the school in the Estate of Denny Brock upon his death in 1980
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Published
Half length, wearing academic dress
30" x 25"
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Published
Embroidered banner with two school mottos, arms of Westminster School, Trinity College Cambridge, Christ Church Oxford and Dr Busby.
Made for the school to celebrate the 400th anniversary of its refoundation by Elizabeth I in 1560
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Lambe, Philip Agnew, brother of John Lawrence Penrose Lambe (q.v.); b. Feb. 23, 1897; adm. Sept. 22, 1910 (R); left Dec. 1913; served in Great War I; Sub-Lieut. R. N. V. R. May 3, 1916; invalided; Trinity Hall, Camb., B.A. 1932; M.A. 1947; an artist; Gold Medallist, Paris Salon; served in the Navy in both Great Wars; painted the portrait of Walter Hamilton, Head Master, 1957; m. 1955, Zoe Violetta Lane, of New Zealand; d. 1968.
Published
Head and shoulders, turned to the left; he wears a scholars' dress with white bow tie, and pink carnation, green background. P.L.M Sherwood was Captain of the King's Scholars in 1958.
21" x 26"
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Published
Head and shoulders, turned to the left; he wears a scholars' dress with white bow tie, brown background. Christopher Hildyard was a Canon at Westminster Abbey and friend of Head Master, John Carleton.
21.5" x 26"
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Lambe, Philip Agnew, brother of John Lawrence Penrose Lambe (q.v.); b. Feb. 23, 1897; adm. Sept. 22, 1910 (R); left Dec. 1913; served in Great War I; Sub-Lieut. R. N. V. R. May 3, 1916; invalided; Trinity Hall, Camb., B.A. 1932; M.A. 1947; an artist; Gold Medallist, Paris Salon; served in the Navy in both Great Wars; painted the portrait of Walter Hamilton, Head Master, 1957; m. 1955, Zoe Violetta Lane, of New Zealand; d. 1968.
Published
Head and shoulders, turned to the left; he wears a scholars' dress with white bow tie, green background.
22.5" x 25.5"
Commissioned by John Carleton, then Master of the Queen's Scholars.
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Published
Three-quarters length portrait of Hastings seated on a wooden chair with red upholstery, facing half right; he wears white stockings, brown coat; his right arm rests upon the chair, while his left dangles in front of him; there is a book on a small table to the left of the picture. Inscribed on the frame with the name of the sitter
60" x 48"
From the Harewood House Collection. Presented to the school in 1952 by HRH the Princess Royal and the Earl of Harewood. This is a poor and reduced copy of the Devis portrait in the National Portrait Gallery. The Mr Hudson acknowledge on the frame is presumably Henry Hudson who made an engraving of this portrait in 17845. The original is regarded as the property of the Governors-General of Bengal.
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Published
Head and shoulders; he wears black academic dress and collar and has curly grey hair; he faces to the left of the picture, and holds a book in his right hand. Inscribed top-left with the identity of the sitter.
28.5" x 24.5"
Deposited on loan from Christ Church College, Oxford.
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Published
Half-length portrait, wearing a brown overcoat over a black waistcoat , and a white shirt; he is full face, to the left is a view of the Burlington Arch with a scholar standing by it, beyond blue sky and a part of a tree. Subject is College John, possibly one of the Lloyd family.
29" x 24"
Acquired by John Carleton, Headmaster, by whom bequeathed to the school
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Published
Three-quarters length portrait of Dolben seated on a chair over which his right arm hangs; he wears a blue coat and waistcoat bordered with gold brade, and a grey wig; he holds a black hat in his left hand; a fine brocade curtain hangs in the background.
50" x 40"
Recorded by Sargeaunt in 1921 as lent by the Governors of the School. This work must have been painted before 1790 when Dance-Holland retired from painting.
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Published
Three-quarters length portrait of Nicoll standing, turned to the left, wearing academic dress, collar and wig; his right hand holds a cap with a glove in it, while his left is in his pocket.
50" x 40"
Recorded by Sargeaunt in 1921 as being lent by the governors of the school. An engraving was made of this work by Mc Ardell, and much of the detail on the actual painting is now obscured. Another portrait of Nicoll is in the school's collection
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Published
Three-quarters length portrait of Jackson seated in a chair, full face, wearing black academic dress and collar; his hands are clasped; to the left is red drapery and to the right a pillar supporting springers of a late perpendicular style.
55" x 43"
Recorded by Sargeaunt in 1921. A three-quarters length of Jackson by Owen hangs at Christ Church which was exhibited at the Royal Academy in 1811.
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Published
Three-quarters length portrait; seated on a fine Georgian II chair, with golden decoration; he wears a grey overcoat, grey britches, blue-grey hose, white cravat, white lace cuffs and a fine blue waistcoat; on a table to his left there is a quill standing in an inkwell, books and a piece of paper; a red curtain is draped behind this.
50" x 40"
Presented to the school in 1962 by the sitter's descendant, Mr. E F Calville.
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Published
Three-quarters length portrait of Rutherford seated on a wooden chair with red cushion; he wears black cassock and white collar; he faces to the left of the picture; his right hand supports his head in an upright position; his left hand holds a book on his knee; to the left there is a table with a quill, book and inkwell. Inscribed with signature and the date of 1903. Attributed to William Robert Symonds (1849-1923) [Sotheby's] or J. Seymour Lucas R.A. (1849-1923) [School].
50" x 40"
Painted between 1902 and 1903 for the Elizabethan Club to give to the school. Exhibited at the Royal Academy in 1903 and afterwards at the Walker Art Gallery, Liverpool
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Published
Three-quarters length portrait, full face; he wears a jewelled coat with ermine trim and clasps of gold and ruby, hat and round his neck is a finely jewelled collar; on his right hand he wears a jewelled ring and with it he clasps a leather glove; in his left hand he clasps a sword or staff with a jewelled hilt. Irene Begbie-Ellissen was the mother of Francis Lyon Gordon Ellissen (AHH 1932-1935).
39" x 28"
At the school by 1921 as recorded by the Sargeaunt list - but recorded as having been given the School by the Artist in The Elizabethan, December 1936. This is an interesting copy of Holbein's famous design of which his fresco was at Whitechapel, the cartoon for this is in the National Portrait Gallery. Contemporary copies by students of Holbein are in the Royal Collection, NPG, Manchester Gallery, Warwick, Castle Howard and Petworth
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Published
His head is inclined slightly to the left; he wears an academic robe and collar with a scull cap.
23" high
Head Master Rutherford first commissioned a marble bust of Dr. Busby by the sculptor Stirling Lee to commemorate the bicentenary of Busby's death in 1895 (see the Governing Body Minutes, 1894, p. 312). The whereabouts of this bust is not known. A second bust of Busby was presented to the school in 1945 by Benjamin C Boulter (OW), who found it in a shop in Cheltenham. This was a copy of the Rysbrack original at Christ Church, which in turn was based upon the fine effigy of Busby by Fr. Bird in the Abbey. This gift was stolen in 1980 and replaced with the present bust, a copy from the Christ Church bust.
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Published
White porcelain bust; Jones is looking up and to his right; he has a flowing beard and moustache; he wears a cap and shirt with wide collar
26" high
This bust is derived from Van Dyke's picture, a good copy of which is by Hogarth and in the National Maritime Museum. First recorded in the listing of 19501.
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Published
Life size portrait of Locke, whose head is inclined slightly to the left; he wears an open shirt and partially buttoned waistcoat; his hair is parted at the centre.
24" high
First recorded in the list of 1950-51
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Published
Issued for the King's Scholars involved in manslaughter in 1679. Black and red ink on vellum; bearing the Royal Seal
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See Charles Low's article on the Westminster School Archive Blog for further information: http://archiveblog.westminster.org.uk/?p=501
Published
The portrait (of which very few engravings exist) shows him standing with his head thrust forward belligerently and holding in one hand the strap with which he used to belabour junior boys who interrupted him in his work. It was a time-honoured joke to send unsuspecting new boys to provoke his wrath, and in his other hand is a piece of paper on which can just be discerned the words: Please give the bearer two measures of strap-oil. [Source: The Elizabethan December 1965 p386]. Three-quarter length, wearing a brown coat and a red tie Signed l.l.: Hayes pinxit
17" x 13.5"
Sotheby's
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Published
Half-length portrait, seated, turned to the right of the picture; he wears a red cassock, white dog collar and a black gown; his right hand grasps the arm of his chair. Copied from G.F. Watts 1875/ by Julian Drummond
38" x 26"
The original picture by Watts was commissioned by members of Christ Church in 1876 to present to Liddell to commemorate his first twenty years as Dean. It was presented to Liddell in the Hall by Gladstone, where it still hangs. This is a later copy for the school.
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Published
Half-length portrait of Frewin in old age, wearing a gown over a brown coat, and an academic collar; he is inclined slightly to the right of the picture. Inscribed with the identity of the sitter in the top left.
29.5" x 24.5"
On loan from Christ Church College, Oxford.
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Published
Half-length portrait turned to the right of the picture; he wears black academic dress and white collar. Carey is notabley younger than in other pictures in the school's possession.
29" x 24"
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Published
Half-length portrait; Knipe is turned to the right of the picture; his head is surrounded by a fine wig; he wears black academic robes that fade into the dark background and a white collar. Inscribed:
29.5" x 24"
Presumably always at the school, certainly here soon after the time of Dean Vincent. This picture is attributed to Dahl because of a similar engraving by him of Knipe, either this is his original, or partly completed by assistants.
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Published
Three-quarter length portrait of Busby standing, wearing academic robes and a scull cap; his body and head are inclined to the left of the painting; to the bottom-left is a table covered with a cloth, upon which is an open book; Busby has almost turned a page with his right hand.
50" x 40"
After Busby
Extract from The Elizabethan (1966):
"Despite the number of portraits of him in the possession of the School, none is original: they are all taken from an engraving of a lost drawing by Henry Tilson, who committed suicide soon after drawing Busby's corpse. Much of Busby's reputation for severity seems to have permeated his even these copies, for the small head which hangs in Busby's and the half-length portrait in No. 17 show him with almost unbelievably harsh and unsympathetic features, surmounted inevitably by the scull-cap, which certainly does nothing to alleviate the impression of total austerity. In the large version, however, a moderately distinguished painting illustrated in Sargeaunt's "Annals of Westminster School", the artist seems to have felt less animosity towards him, and the famous Head Master looks down almost leniently from his frame. Only two busts of Busby are prominently displayed in the school; and these, a copy by Lee in the Busby Library and a plaster cast in the Art Room, naturally enough give a somewhat hard impression of him."
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Published
Half-length portrait; he faces towards the left of the portrait; he wears black academic dress and collar, and a grey wig. Inscribed top-left with the name of the sitter.
29" x 24"
At the school probably since it was painted, but definitely since the early Nineteenth Century when the inscription was added. The first definite date is 1893 when the work is recorded in the Dictionary of National Biography. There is a similar work by Michael Dahl at Christ Church, but it would be unwise to connect the two on stylistic grounds.
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Published
Brown bronze bust on pedestal with small gold plaque, about half life-size; Ghandi wears loose robes.
14.5" tall
This bust commemorates Gandhi's visit to the Political and Literary Society of Westminster School in the 1930s. Presented to the School in 1995 by H.E. Dr. L.M. Singhvi (High Commissioner of India). A gift of Jamnalal Bajaj Foundation, India, to mark the 125th anniversary of Ghandi
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Published
Bust of Caesar, with his head and shoulders cast in bronze, and the toga that he wears made of a dark marble.
16" high
Mis-identified as Cicero by Sotheby's?
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Published
Three-quarters length portrait of Burdett standing, wearing a black tail coat and trousers with his head inclined a little to the right; his right hand holds a roll of paper in a vertical position; his left hand is outstretched and touches a piece of paper upon table in the bottom-right of the picture; the background consists of a curtain behind Burdett and to the right a wall with pilaster.
49.5" x 39.5"
Possibly commissioned by the sitters daughters, and remained by family decent in the Burdett-Coutts collection, placed on permanent loan to the School in c. 1946 by W.A. Burdett-Coutts. There is a half-length version by Shee in the National Portrait Gallery similar to this, although the hands are differently arranged. Exhibited at the Royal Academy (1838) and at The Guelph Exhibition (1891). Mentioned in
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Published
Three-quarters length portrait of Vincent facing to the left of the portrait, seated wearing a black silk cassock; he sits on a Gainsborough chair covered in red with fluted arms; his right hand sits in his pocket, his left on the chair arm; a medallion, the Order of the Bath, hangs from a red ribbon round his neck; in the bottom-right of the picture is a globe; on the left is an open Bible and a scroll, upon which the name of the artist and the date 1811 are written.
49" x 39"
The portrait is described in an epigram published in Lusus Alterii Westmonasteriensis, p. 305.
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Published
Half-length portrait of Wingfield, wearing academic dress and collar; he also wears a fine wig. Bears signature c.l.: John Constable/Pinx. 1818 and later inscribed upper left with the identity of the sitter.
29.5" x 24"
Constable is recorded as having painted two portraits of John Wingfield. One was bought by the eventual Director of B.F.A. in Massachusetts, current whereabouts unknown; photographs and correspondence concerning this painting is in the Master Paintings Catalogue and the School Archive. It is recorded in 'Portraits of Head Masters' that the date 1818 was discerned during cleaning in 1899. Mentioned in 'L'Opera Completa di Constable' Robert Hoozee, 1979 (p.110). Engraved by W.J.Ward, published in 1827.
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Published
Landscape of the Thames at Windsor in the centre left background is Windsor Castle, framed by trees; its reflections can be seen in the river, which flows towards it, having emerged from the left of the picture; on the bank in the centre are five cows, and to the right there is a man seated upon a fallen tree trunk. The painting is signed in the bottom-right on the trunk of the tree: 'TCH 1816'
24.5" x 35"
Presented to the School in 1956 by Sir Alec and Lady Martin whose grandson was in College at the time. Sir Alec was well-known in the art world at the time, being Secretary of the National Art Collections Fund.
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Published
Half length portrait of Nicoll wearing black academic dress, collar and wig; he faces slightly to the left of the picture. Inscribed top-left with the name of the sitter.
28.5" x 24"
Deposited on loan to the School by Christ Church College, Oxford. The school owns another two portrait of Nicoll, although in both he is a lot older.
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Published
Half-length portrait of Aldrich wearing black academic dress and collar; his body is inclined to the left of the picture, but his head is turned so as to be almost full face. Inscribed top-left with the identity of the sitter.
30.5" x 24"
On loan to the School from Christ Church College, Oxford. This is one of many contemporary versions of Kneller
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Published
Half-length portrait of Freind wearing black academic dress, collar and wig; he is virtually full face although inclined slightly to the left of the painting. Inscribed top-left with the identity of the sitter.
29" x 24"
This painting is on loan to the School from Christ Church College, Oxford. This painting has been related by Sargeaunt to that and to the studio of Dahl, although he has no proof for this association.
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Genealogy of the Family of Phillimore (1922)
Published
Full-length portrait of Phillimore standing; he wears smart dark green clothes with white cravat and stockings and carries a hat, not a mortar-board; he wears black buckled shoes and his right hand is tucked inside the lapel of his coat; he appears to be aged about 15; in the background is a dark wall behind Phillimore, and a patch of landscape to the right.
68" x 38"
By descent through the Phillimore family to Arthur Phillimore, whose daughter-in-law, Mrs John Phillimore presented it to the School in 1963. As regards the sitter, we can disregard later generations of the family at the time on grounds of style, and the hat shows that he was a Town Boy, which suggests that the sitter is most likely to have been Joseph Phillimore (1750-1831) or William Phillimore (1748-1818). Genealogy of the Family of Phillimore (1922) makes reference to a 'portrait in oils of William Phillimore' at Kendalls estate (p. 209) which might be a reference to this painting.
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Published
Three-quarters length portrait; he is turned to the left, but is portrayed full face; he wears black academic dress and collar; in his left hand is a piece of paper, in the right a quill; the background is mostly red. Inscribed bottom right: 'E Champion Dec. 1876'.
38" x 50"
Presented by Scott to the school
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Published
Framed silhouette of Dr. Page, Head Master of Westminster
3" x 4"
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Published
Framed watercolour of Turle's House from before its demolition in 1883
5" x 3.5"
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Published
Distant view of the Abbey from Tothill Street; in the background right centre can be seen Hawksmoor's West Towers of the Abbey, in front of them lies the end of Tothill Street; on the north side of the street we see a 17th century shop and an 18th century shop with three bays and a four storey building of 18th century shops of eight bays; on the south side we can see a butcher's shop and a three bayed 18th century building with dormer windows; there are numerous frequenting chambermaids looking out of the top windows; shoppers and travellers stand in the street while a cart makes deliveries to the butcher.
22" x 28.5"
Presented in 1947 by Sir Harold Harmsworth (see 19501 catalogue)
Extract from The Elizabethan 1966:
"...numerous Westminsters have been amused to compare this meticulous representation of the Tothill Street of Miller's day with the changed environs of today."
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Published
In a painted roundel. Rowe faces the right, but is portrayed full face; he wears a white shirt and brown coat and a large grey wig Provenance: Left to the School by Janet Adam-Smith, wife of John Carleton, Head Master, who bought the painting in 1961.
74cm x 60cm
Left to the School by Janet Adam-Smith, wife of John Carleton, Head Master, who bought the painting in 1961.
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Published
Small oval painting based on green-brown colour scheme; head and shoulders in profile; he wears classical drapery. Inscribed on a band round the edge as follows: "Hanc bibliothecam operum ab alumnis scholae suae per saecula conditorum dono dedit Godferidus Georgius Roundell Greene MCMLVI".
10" x 13"
Painted for the School in 1956 to mark the Greene's gift of the library to the School.
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Published
Caricature sketch of Henry Manning Ingram (1824-1911) OW & Under Master, 1861-1880
6" x 7.5"
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Published
Dyed, painted silk, on a hessian backing. On the left the arms of the Commonwealth: the crosses of St. George and St. Andrew and the Irish harp and in escutcheon a lion rampant guardant for Cromwell. On the right are the quarterings of his wife. Inscribed verso with: 'this ensign was snatched from the bier of the tyrant Oliver Cromwell, when his waxen effigy, adorned with royal state, was being magnificently displayed in the Church of St. Peter, Westminster'.
18.5" x 23"
Robert Uvedale wrote in 1792 that his grandfather of the same name had witnessed the state burial of Oliver Cromwell and removed this skutcheon. The Westminster boys had been forced to watch the funeral and Uvedale jumped forward and snatched the satin banner known as the 'Majesty Skutcheon'. It was returned to the school by his descendent Mary West in 1963.
Extract from The Elizabethan (1966):
"Painted on satin and surmounted by the crown which had been appropriated for him is Cromwell's Coat of arms. The Skutcheon was originally attached to the Protector's bier, but was removed during the funeral procession by an enterprising, Royalist Westminster, Robert Uvedale, who, the theft accomplished, darted back into a crowd of his schoolfellows and thus escaped detection. The Skutcheon remained with in the possession of his family until it was presented through the Head Master by Miss Mary West in 1963."
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Published
24" high
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Published
One Black Jack is emobssed with a stylised grape cluster.
16.5" high
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Published
Standing on stone plinth.
15" high
Presented to the School shortly after Boult's death in 1983 by his widow. Purchased from the Royal Academy Summer Exhibition in 1974.
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Published
In a painted oval. Perrot faces left, but is portrayed full face; he wears a white tie and a fine brown coat; he wears a grey wig.
30" x 25"
Painted for Perrot and left to the School as part of his estate in 1780.
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Published
Life-size head of Busby wearing academic dress and a scull cap; he is inclined to the left.
14" by 11.5"
After Busby
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Published
Marble bust of Sir Francis Burdett on a carved stone pedestal, with entwined serpents and four marble panels inset: the Burdett arms; Burdett as a pupil at Westminster School; Adressing the House of Commons; arriving at the Traitors' Gate in a wherry. The bust is signed twice and dated 1854
Made for Baroness Burdett-Coutts, who presented it to the School in 1869. Originally housed in the Busby Library, then later moved to its present locaion in Ashburnham Garden.
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Published
Bronze plaque depicting John Sargeaunt surrounded by an arch, wearing a gown; his head is inclined to the left; in the top left corner his monogram; in the top right corner, the school's arms. Inscribed 'John Sargeaunt Master of the VIth Form 1890-1918' and with the signature of the artist.
22.5" x 29"
Comissioned by the school as a memorial to Sargeaunt.
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Published
32" x 39"
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Published
Head and shoulders; he is turned to the left; he wears a black academic dress.
24" x 18"
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Published
Landscape of shore with boats. Four blue painted small motorised fishing boats drawn up onto the shore. In the foreground can be seen their chains. The background shows a gas works to the far right against a dark cloudy sky. Inscribed lower left: 'Spaull 55'
40" x 32"
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Published
Pastel portrait of Mother Grant III displayed in a painted glass oval; the sitter is turned to the right, but is portrayed full face; she wears a white dress.
24" x 18"
There is some uncertainty over the identity of the sitter: whether Mother Grant II or III. Bought from Mrs. Stewart (with other Grant miniatures etc.) who was a niece of Mrs. Wakefield whose Gt. Aunt was Maria Grant (Mrs. Dixon)
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Published
Miniature on bone or ivory, head and shoulders of a young man; he wears a white cravat and dark blue coat. Inscribed on the reverse: "J.W.Childe 17 Buckingham Street Strand"
2" x 2.5"
Bears a striking resemblance to Richard Grant II (PIC.0001.90) and is by the same artist, but could represent his son Gabriel. Presumably painted for the family.
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Published
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38 Strand 1823"""
Bears a label on the verso: \Mary Weddenburn to Chris Somerset\"",,Both miniatures on bone or ivory; head and shoulders portrait Inscribed on reverse ""J.W.Childe
Published
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/usr/share/nginx/atom/ECWimages/PIC/PIC_001_090.jpg
Published
Miniature on bone or ivory; half-length portrait of a young woman, turned to the right; she wears a white dress and a red wrap; her hair is brown and curly. Inscription on back by Lawrence Tanner: 'This is a member of the Grant family of Westminster School ? 1967'
3" x 2.5"
Bears resemblance to Mother Grant III (PIC.0001.90) and is by the same artist. Presumably painted for the family. Bought from Mrs. Stewart (with other Grant miniatures etc.) who was a niece of Mrs. Wakefield whose Gt. Aunt was Maria Grant (Mrs. Dixon)
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Published
Three-quarter length, standing, wearing a suit and gown Signed l.r.: 19HR20 and charged u.r. with the school's coat of arms
35" x 27"
Painted for presentation to Grant
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Published
Little Dean's Yard, facing East; on the right can be seen the Burlington Dormitory; just to the left is the archway up School; two scholars stand in the middle of the Yard, while another reclines near the arch; a man with a wheelbarrow stands near the entrance to Turle's House.
8" x 12"
The picture was painted for Robert Wintle, who died in 1848, and was bequeathed by him to his grandson, Thomas Morell Gilbert. After his death it was bought for the School by the Elizabethan Club.
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Published
Three-quarters length portrait of Liddell seated, turned to the right; he wears black academic dress and collar; in his right hand he holds a mortar board. The background is reddish brown.
60" x 50"
Painted for Henry George Liddell, passed on to his son, Sir Frederick Francis Liddell (1865-1950) and presented by his grandson Maurice Arthur Liddell (1905-1976) to the School in 1950, through the influence of Sir Henry Hake O.W., Director of the National Portrait Gallery. An identical picture was presented to the Oxford University Museum, now the Ashmolean, to celebrate Liddell
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Published
Half-length portrait of Gow seated, turned left; he wears a red cassock over black academic dress and collar; he sits on a carved chair; his hands rest on a book with the school arms upon it; there is a pilaster on the wall behind him.
38" x 26"
Painted for Gow as a present to the school at the end of his time as Head Master.; paid for by the Elizabethan Club.
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Published
Rectangular miniature on ivory; Abbott is turned slightly to the right of the picture; he wears a black waistcoat, white blouse and cravat; to his right a pilaster column; to the left a brown curtain; he sits on a red chair. Inscribed top right:
4" x 5"
Presented to the School by Lady Clementine Tottenham.
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Lambe, Philip Agnew, brother of John Lawrence Penrose Lambe (q.v.); b. Feb. 23, 1897; adm. Sept. 22, 1910 (R); left Dec. 1913; served in Great War I; Sub-Lieut. R. N. V. R. May 3, 1916; invalided; Trinity Hall, Camb., B.A. 1932; M.A. 1947; an artist; Gold Medallist, Paris Salon; served in the Navy in both Great Wars; painted the portrait of Walter Hamilton, Head Master, 1957; m. 1955, Zoe Violetta Lane, of New Zealand; d. 1968.
Published
Half-length portrait of Hamilton standing; he wears black academic dress and academic gown; his head and body are turned slightly to the left; he holds an open book. In 2001, his wife is reported to have said that this was a poor likeness.
35" x 28"
Painted for the Elizabethan Club, who presented it on 9th October 1957 to Hamilton, who presented it to the school.
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Published
Half-length portrait of Costley-White in red academic robes with wide black strip running down from each shoulder and a gold brooch; he is seated, turned towards the left of the painting; bottom-right are a pile of books. Inscribed top right: 'H. Riviere, 1937'
30" x 25"
Painted for the Elizabethan Club, who presented it 1937 to Costley-White, who presented it to the school.
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Published
Half-length portrait; Carleton sits, facing the left of the picture, but he is portrayed full face; he wears red robe, academic collar and gown. Signed l.r.: C. Hildyard/1969.
29" x 24"
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Published
Three-quarters length; Rae reclines with his body facing the left of the picture, although he is portrayed full face; he supports his head with his left hand; he wears red robe, academic collar and gown. Signed l.r.: Richard Stone
31" x 39"
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Published
Head and shoulders, wearing academic dress. Signed, lower right, 'Yeo'
29" x 24"
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Published
Half-length portrait of Busby wearing academic robes and a scull cap; his body and head are inclined to the left.
29.5" x 24"
After Busby
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DYER, JOHN, second son of Robert Dyer, Aberglasney, Carmarthenshire, solicitor, and Elizabeth Bennet; bapt. 28 Oct 1701; at school under Freind (Johnson, Lives of the Poets, ed. Hill, iii, 343); went into his father’s office, but soon abandoned law for art; an itinerant artist in South Wales; a pupil of the painter Jonathan Richardson; visited Italy to study painting 1724-5; ordained 1741; Rector of Catthorpe, Leics., 30 Apr 1742-51; Rector of Belchford, Lincs., 1751-5; Rector of Coningsby, Lincs., from 1752; Rector of Kirkby-on-Bain, Lincs., from 1755; LLB Cambridge 1752; FSA 1741; author, Grongar Hill, 1727, and other poems; m. 11 Apr 1738 (IGI) Sarah, widow of John Hawkins, and dau. of James Ensor, Wilnecote, Warwickshire (now Staffordshire); buried at Coningsby, Lincs. 15 Dec 1757. DNB.
Published
Half-length portrait on a much reduced scale, in a roundel in the centre of the picture; he wears Eighteenth Century costume and holds a book, with the inscription
21" x 15.5"
Dyer wrote
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Published
Three-quarter length, seated, facing right; he wears red and white music gown, over black suit and hat; he sits on a green chair. There is a candle and a book in the right background.
21" x 16"
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Published
Three-quarter length, seated, facing the left of the picture; he wears a large brown coat; he rests his hands in his lap; the background is light brown. Signed: E.A. Walton
50" x 40"
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de Pinto, Rufus John Noel, son of Lionel de Pinto and Lois Adeline Edith, d. of John Langston FRCS JP, of Strood, Kent; b. 19 Dec. 1904; adm. Sept. 1919 (H); left July 1922; Slade Sch. of Art 1949-51, Dip. Fine Art; art teaching and business experience; m. 20 Dec. 1956 Olive Wanda, d. of Saleem Abotomey of Adelaide, Australia; d. 1 Apr. 1976.
Published
School from the North end, looking South; the roof is missing and the Rose Window of the Abbey is clearly visible in the background. The walls of School are brightly coloured, and in the foreground are patterns of light from the windows in the North end.
36" x 28"
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Published
Marble bust; head and shoulders; his head is turned slightly to the left; wears classical dress.
24" high
Abbot almost certainly sat for Gibson, as he undertook an extensive tour of France and Italy (1819-22). The bust passed to his son, the Second Baron (d.1867) and then to his grandson, the Third and last Baron, who died childless in 1912. His wife, Lady Isabel Maude left it to her nieces, Lady Eveline Maude and Lady Clementine Isabel Tottenham, who presented it to the School in March 1928.
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Published
Very badly damaged; he faces the left of the picture; he wears a white shirt and black suit; his hands are clasped against his chest; the background is brown.
28" x 36"
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Published
Half-length portrait on a much reduced scale; Abbott is turned to the right; he wears a white cravat and black coat; the background is grey; framed in an oval. Marked on back "Anna Tonelli" "Fece in Londra 1794" and "Charles Abbot 1st Lord Colchester". Charles Abbot 1st Lord Colchester would have been in his 40s at the time of painting so it is likely that either the artist or sitter is mis-attributed.
9" x 7.5"
The portrait passed to his son, the Second Baron (d. 1867), and then to his grandson, the Third and last Baron, who died childless in 1912. His wife, Lady Isabel Maude left it to her nieces, Lady Evaline Maude and Lady Clementine Isabel Tottenham, who presented it to the School in 1956.
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Published
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Published
The South Ambulatory from the South-West; shows Royal tomb on the left and directly ahead is the entrance to the Henry VII Chapel.
20" x 26.5"
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Published
Miniature on bone or ivory; head and shoulders of a young man, turned to the right; he wears a white cravat and a blue coat with gold buttons.
2.25" x 2.75"
On reverse "This is a member of the Grant Family of Westminster School ? 1967" "Bought from Mrs. Stewart (with other Grant miniatures) who was a niece of Mrs. Wakefield whose Gt. Aunt was Maria Grant (Mrs. Dixon)" Attached label says "037274 Your ref1"
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Published
The Burlington Dormitory from the North; beds line the walls; monitors sit around the fire in the right foreground, stoked by a younger boy; in the distance other scholars are talking and playing games
14" x 19"
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Worlock, Frederic George, son of Thomas Worlock, of St. Johns Wood, by Sophia Elizabeth, daughter of Walter Thornhill, of Paddington; b. Dec. 14, 1886; adm. Sept. 26, 1901 (G); left July 1905; an actor, first appeared at the Coronet Theatre, Notting Hill Gate, Feb. 17, 1908, in Much Ado about Nothing; has since played mainly in the U.S.A.; a regular film actor at Hollywood from 1939; a member of the Benson company 1905-10; enlisted in 14th Batt. London Regt. (London Scottish) Nov. 9, 1914; temp. Capt. in the same, Nov. 30, 1915; wounded March 28, 1917; M.C. Nov. 26, 1917; m. 1st Feb. 11, 1911, Olive, daughter of Robert Noble, of Liverpool; 2nd Elsie Ferguson, actress, daughter of Hiram Benson Ferguson, of New York; d. 1973.
Published
The chairs are set out as for prayers; the shell is absent; the bust of Busby now on the Grand Staircase is at the far end; there is a desk and blackboard in the left foreground; two boys are on the right in the middle-ground.
624mm x 754mm
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Published
Half-length portrait of Joseph Tyson, Classics Master and Bursar (1885-1929) sitting; he leans slightly to the right of the picture; he is writing on a piece of paper on his desk; he wears a suit and tie; in the top left is a picture of a ship
35" x 32"
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Published
Commissioned by John Carleton, Master of the King's Scholars. Artist is possibly Hubert Williams (1905-1989).
14" x 16"
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Published
Miniature on ivory; head and shoulders of an old man, turned to the right of the picture; he wears a white cravat and black coat; his the colours have faded.
3" x 3.5"
Note on reverse: "This is unnamed member of the Grant family of Westminster School. Perhaps the Revd. Richard Grant (1744-1826) House Master of Grant's until 1813. Bought from Mrs. Stewart (with the pastel portrait of "Mother Grant" etc.) who was a niece of Mrs. Wakefield whose Gt. Aunt was Maria Grant (Mrs. Dixon)" Attached label reads: 037276 Ref. 3
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Published
Plaster bust; he is shown full face. Inscribed on reverse:
24"
Presented to the School in 1963 by Mrs Fitzgerald after the death of her husband Canon M.H. Fitzgerald. The National Portrait Gallery has a version of this bust, also of 1845. The memorial to Southey in Gosthwaite Church (1846) is also by Lough.
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Published
Ivory miniature; head and shoulders; Hastings turned to the right, but with his face turned slightly to the left of the picture; he wears a white cravat, blue coat with gold buttons and a white wig; the background is blue-grey. Reverse inscription: 'Warren Hastings'.
2.25" x 3"
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Published
Aitken is sitting on a wooden chair, facing the left of the picture; he wears a white shirt and blue tie; he holds a cigar in his left hand; the background is green. Signed l.r.: Hailstone 68
30" x 24"
The Press Club commissioned the painting in the early 1970
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Published
Based on the painting PIC.01.047
22" x 27"
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Published
Depicted full length, facing left; he sits upon a brown horse; he wears dark armour. To the right are a clump of trees, to the left a flat landscape.
36" x 29"
This is a poor late-Eighteenth or early-Nineteenth Century copy of the full size original which was formerly at Blenheim and now at the National Gallery. This version omits the groom in the original.
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YGLESIAS, FRANCIS MICHAEL, son of Miguel Yglesias, Stamford Hill, London, and Ellen Maude, dau. of John Barnes, Willesden, Middlesex; b. 16 Jul 1867 (christened as Francisco Miguel Yglesias); adm. 16 Jun 1881 (D, G), exhibitioner; QS Nov 1882; elected head to Trinity Coll. Cambridge 1886, adm. pens. 6 Oct 1886; BA 1889; MA 1893; ordained deacon 1890, priest 1891 (both Lincoln); Curate, Coningsby, Lincs., 1890-4, Gedney, Lincs., 1894-5, Skegness, Lincs., 1896-8; Vicar of Tattershall, Lincs., 1898-1920; Rector of Langton, Lincs., 1920-33; m. 8 Oct 1912 Alice, dau. of John Short, Tattersall, Lincs.; d. 4 Dec 1950.
Published
Rear of Ashburnham House, rear (now Ashburnham Garden) showing the building of a lavatory block 1883
9.5" x 13"
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YGLESIAS, FRANCIS MICHAEL, son of Miguel Yglesias, Stamford Hill, London, and Ellen Maude, dau. of John Barnes, Willesden, Middlesex; b. 16 Jul 1867 (christened as Francisco Miguel Yglesias); adm. 16 Jun 1881 (D, G), exhibitioner; QS Nov 1882; elected head to Trinity Coll. Cambridge 1886, adm. pens. 6 Oct 1886; BA 1889; MA 1893; ordained deacon 1890, priest 1891 (both Lincoln); Curate, Coningsby, Lincs., 1890-4, Gedney, Lincs., 1894-5, Skegness, Lincs., 1896-8; Vicar of Tattershall, Lincs., 1898-1920; Rector of Langton, Lincs., 1920-33; m. 8 Oct 1912 Alice, dau. of John Short, Tattersall, Lincs.; d. 4 Dec 1950.
Published
Oil painting of Little Dean's Yard during the rebuilding of Turle's House (1883?) Little Dean's Yard in the foreground, Ashburnham House on the left and College on the far right. The entrance to School is visible on the right. In the centre, there is an area fenced off, where the rebuilding is taking place. In the back ground the Abbey is visible.
9.5" x 13"
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Published
Watercolour of College Hall, looking towards the north wall behind the high table, where the painted coats of arms are visible; tables and benches are arranged around the outside of the room; several scholars wearing gowns and mortars boards and two ladies wearing bonnets are present.
20" x 16.5"
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Published
The Housemasters of Busby
35" x 41"
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Published
Half-length portrait of Vincent turned to the left; he is seated; he wears a black silk cassock; a medallion hangs from a red ribbon round his neck [badge of the Order of the Bath]. Inscribed: 'Wm. Vincent D.D. 1788-1802).
29" x 24"
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Frost, Richard Aylmer, son of Robert Frost, barrister-at-law, and Alexandra, d. of Alexander Rose of Streatham; b. 29 May 1905; adm. Sept. 1919 (G); left July 1924; Ch. Ch. Oxf., matric. 1924, BA 1928, MA 1950; Fellow Harvard Univ. 1928; RAFVR (A & SD) in WW2 (Flt Lieut.), MBE Jan. 1944; British Council East Africa, OBE Jan. 1952; DPhil (Oxon.) 1973; author of The British Commonwealth and World Society 1947, Race Against Time 1978, Historic Oxford 1984; m. 1 Sept. 1938 Alice, d. of V. B. Reichwald; d. 5 Mar. 1995.
Published
John Peter Winckworth (GG 1922-1927). Head and shoulders, turned to the left of the picture; he wears a suit with black tie; the background is black. Subject is named as 'Henry Lawrence' in Helen Draper's 1996 Conservation Report, but the name Winckworth is clearly written on the back of the canvas and the date of the painting and appearance of the subject support this attribution.
22" x 26"
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Published
Watercolour painting of the Busby Library. Pencil and watercolour on paper, resembles the Busby Library today, except that the ceiling and presses are now replicas of these and the floor is tiled; five pupils stand in the room including two scholars on the left; desks line the walls.
11" x 12.5"
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Published
17" x 13"
The painting was noticed by Westminster School matrons, Roseanne Morgan and Georgina White at a 'Works on Paper Fair' at the Science Museum in February 2014.
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Published
74" x 47"
Exhibited at the Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, 2014.
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Published
67cm x 43cm
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Published
Pencil sketch of Denny Brock, portrayed full face, by John Morley, 1983
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Published
30cm x 24cm
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Published
Signed and inscribed in latin to the border of the oval flush base
253cm tall
Commissioned for the 450th Anniversary of the School's refounding by Elizabeth I in 1560. Unveiled by Her Majesty Queen Elizabeth II
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Published
The Old Gate House and Entrance to Dean's Yard prior to its demolition for buildings in Broad Sanctuary
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Published
The Pest Houses or "Five Chimnies" formerly situated in Douglas Place near Vauxhall Bridge Road'
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Published
Hand-coloured engraving of 'Putney', showing a coxed four in the foreground and the School Boathouse behind.
7.5" x 4.25"
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Published
Hand-coloured engraving entitled 'Scullers Outrigger', showing two single scullers; in the background is a long building with a blue flag.
7.25" x 4.25"
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Published
14.5" x 19.5"
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Published
14.5" x 19.5"
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Published
14.5" x 19.5"
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Published
14.5" x 19.5"
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Published
28.5" x 24"
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Published
View of Little Dean's Yard looking south towards the School Gateway. Pupils and masters stand in groups in the yard, some wearing top hats.
24" x 22"
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Published
140mm x 190mm
Donated to the School through John Dudley Carleton in memory of Geoffrey Owen Nares, OW, Lieutenant 12th Royal Lancers, who died on active service in 1942, aged 25, by D. Pepys Whiteley, February 1957.
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Published
29" x 24"
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Published
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Published
16.5" x 14"
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Published
18" x 22"
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Published
17" x 13.5"
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Published
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Severn, Arthur, son of Joseph Arthur Palliser Severn (q.v.); b. Aug. 16, 1874; adm. Sept. 25, 1888 (G); left Dec. 1892; Exeter CoJI. Oxon., matric. Lent 1897; B.A. 1902; a trout farmer at Bibury, Glos.; d. Aug. 7, 1947.
Published
Bequeathed to the School by Miss Sutcliff.
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Published
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Published
Picture of pupils fencing in Little Dean's Yard
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Published
8" x 10"
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Published
11" x 8.25"
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Published
7.5" x 9"
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Published
8.5" x 10.5"
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Published
8.5" x 7"
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Published
Drawing showing the north end of school with the original hammer-beam roof with chairs laid out for prayers.
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Published
9" x 7.5"
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Published
13" x 9"
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Published
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Published
To celebrate the accession of Her Majesty Queen Elizabeth II, the school commissioned a bust of our foundress, Queen Elizabeth I, the quatercentenary of whose death was commemorated in March 2003. The sculpture was installed in time for the School's Commemoration in Abbey in November 2002. The bronze, by Malcolm Stathers, was placed on a plinth of Portland stone put in place by the Abbey stonemasons under the portico executed, it is now known, to a design of Robert Hooke's (OW) in 1681-2.
22" tall
Commissioned by Eddie Smith, Archivist
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Published
19" x 15"
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Published
23" x 19"
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Published
20" x 18.5"
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Published
19" x 16"
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Published
19" x 16"
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Published
19" x 16"
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Published
Looking towards Liddell's Arch this picture includes Hakluyt's and Singleton's Building.
16.5" x 14"
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Published
Headboard Plaque: 115cm wide; Number Plaque: 55cm wide
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Published
Digitally generated image of Robert Hooke. This was the winning entry of the 'Portraying Robert Hooke' competition run by the Library of the Royal Society in 2003 to mark the tercentenary of Robert Hooke's death. The prize was donated by the Royal Institution of Chartered Surveyors. One of an edition of six.
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Published
Head and shoulders of Busby wearing academic dress and a scull cap; he is inclined to the left. The portrait is surrounded by a painter oval and Busby's name and dates are painted in the top left corner
32" x 37"
Purchased at auction from Mitchell's Auction House, Cockermouth in September 2012
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Published
Looking north, includes the former Bursary building where Singleton's now stands.
16" x 20"
Purchased at auction from Chiswick Auctions, London in May 2015 in a lot with 3 other paintings by Tucker.
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Published
75cm x 63cm
Purchased by the School in 2015 at auction for £2,125
Torridon House, Home of The Earls of Lovelace. The Lovelace title belongs to the King family, who trace their history back to Exeter. Sir Peter King (c.1669-1734) was the maternal nephew of the philosopher John Locke, regarded as one of the most influential Enlightenment thinkers and known as the
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Published
85cm x 120cm
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Published
Purchased by the School in 2015 at auction for £74.76
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Published
34cm x 23.5cm
Purchased on Ebay from Somerset & Wood Fine Art for £30 on 19th November 2015.
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Published
Black and white sketch looking towards the gallery from high-table. The pupils are seated and eating a meal.
20" x 16.5"
Painted for a newspaper.
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Published
17" x 15"
Donated by the artist in 2016.
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Published
Charles Jervas (1675-1739)
49.5" x 40.5"
There are two auction house markings on the stretcher
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Published
128cm x 101cm
There are two auction house markings on the stretcher
Another version of this portrait is in the Government Art Collection, Westminster
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Published
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Published
Bust length, in a black doublet with white lace collar and later inscription on painted oval.
76 cm x 60 cm
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Published
The first eight female Queen's Scholars, depicted in front of the doorway to College.
805 mm x 1405 mm
Commissioned by the College Society from Lucy Li (OW 2016-2018)
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Published
47 cm x 40 cm
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Published
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Published
Photograph of the Gibbon room, looking in from Ashburnham Garden.
Gifted to the school by the artist
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Published
Pelham sits on the left to the front of the composition. He is depicted with dark blue-grey eyes and heavy eyebrows nearly concealing a wart above his right eye. His long grey wig falling in front of his left shoulder and behind his right. He wears his chancellor's gown with gold lace over black coat, with a flocked details, lace cravat and wrist ruffles. Pelham is seated in a plain red chair, draped curtain behind, a letter without writing in his left hand. On the right sits John Roberts, with dark blue-grey eyes and dark brows. He is positioned behind a table draped with a green cloth. Roberts wears a red coat with the top button fastened and lace cuffs; he holds a quill to a page and further papers topped by an inkstand holding a second quill can be seen on the extreme right. Behind Roberts is an archway with sky and trees visible beyond. The composition is lit from the top left.
Another version of this composition is owned by the Government Art Collection: https://artuk.org/discover/artworks/henry-pelham-16941754-and-his-secretary-john-roberts-29225
Another copy of the painting was sold at Christie's, 31 May 1935, lot 105, and had a background showing the Waynflete Tower at Esher Park, the seat bought by Pelham, 1729, and improved by William Kent.
The portrait was produced as a mezzotint by Richard Houston and versions of this print are in the National Portrait Gallery's reference collection (NPG D40107 and D40108): https://www.npg.org.uk/collections/search/portrait/mw201785/Henry-Pelham-John-Roberts
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Published
College Garden, looking north-west towards the Abbey. College is visible on the left side of the painting. Two gardeners are visible: one in the left foreground with a barrow and one in the centre with a roller. A woman and boy are to the right of the painting and the child has a hoop.
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Published
Bronze bust of Milne, wearing a bow tie. Winne-the-Pooh is tucked behind his right lapel. Signed, dated and numbered '2018, 1/8' with the foundry mark.
One of a limited edition commissioned by the Garrick Club Works of Art Committee
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Published
Small oil portrait showing Southey's head and shoulders. He looks down and to his left.
Purchased at auction from Cato Crane, Liverpool.
Plate on the reverse indicates that a previous owner was M.J. Crossley Evans.
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Published
Orange and Blue Q Newlyn (Kemp 167). Screenprint in colours, on Arches paper, signed in pencil, numbered 55 of and edition of 150.
21.5" x 22"
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Published
Screenprint in colours, on Arches paper, signed in pencil, numbered 58 of and edition of 150.
21" x 21.5"
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Published
Blood (Heenk 69). Lithograph, printed in colours, with additional hand colouring, 1982-85, on buff Velin Arches mouldmade paper, signed with initials, dated and numbered 25of an edition of 50 (there were also 16 artist proofs). Published by Petersburg Press. Inscribed 'HH83'.
790mm x 1018 mm
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Published
Canons Ashby, Northamptonshire (Levinson 350); Silkscreen print in colours, on Arches paper, signed in pencil, numbered 71 of an edition of 150.
679mm x 456mm
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Published
Holkham Gate, Norfolk (Levinson 262), Screenprint in colours, on Arches paper, signed and numbered 9 of an edition of 70 in pencil, printed at Kelpra Studio, published by Marlborough Fine Art.
610mm x 831mm
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Published
(Levinson 322), Screenprint in colours, on Arches paper, signed and numbered 32 of an edition of 70 in pencil, published by Marlborough Fine Art.
545mm x 770mm
Bought at Bloomsbury Auctions, Tuesday 28th June 2005, for the school by Eddie Smith, Archivist, for £1,400.
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Published
Westminster School I (Levinson 114); Lithograph printed in colours, on Barcham Green wove, signed and numbered 3 of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
429mm x 584 mm
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Published
Westminster School II (Levinson 115); Lithograph printed in colours, on Barcham Green wove, signed and numbered 3 of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
429mm x 584mm
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Published
Westminster School I (Levinson 114); Lithograph printed in colours, on Barcham Green wove, signed and numbered ? of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
28.5" x 34.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Westminster School II (Levinson 115); Lithograph printed in colours, on Barcham Green wove, signed and numbered ? of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
28.5" x 34.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Westminster School I (Levinson 114); Lithograph printed in colours, on Barcham Green wove, signed and numbered 98 of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
429mm x 584 mm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Etching, signed in pencil, numbered 130 of and edition of 150.
24.5" x 13.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screenprint in colours, signed in pencil, numbered 18 of an edition of 75.
35" x 27"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screenprint, signed and titled in pencil, labelled 'Artists Proof' .
24" x 32"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
[431] Etching, signed in pencil, numbered 32 of and edition of 90.
37" x 29"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screenprint in colours, on Arches paper, signed in pencil, numbered 85 of and edition of 150.
23.5" x 30"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Coloured print, signed in pencil, numbered 70 of and edition of 90.
29.5" x 22"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Lithograph from an edition of 75
46cm x 83cm
Curwen Chilford Press, Cambridge; Peter Gwyther Esq; Private Collection, Cambridge; Bought at auction at Cheffins, Wednesday 7th July 2004, for the school by Eddie Smith, Archivist, for £411.69.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Lithograph printed in colours, from an edition of 3,000, on wove paper.
495mm x 760mm
Bought at Bloomsbury Auctions, Tuesday 28th June 2005, for the school by Eddie Smith, Archivist, for £360.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screen print, signed in pencil, numbered 12 of and edition of 125.
62" x 50"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Produced by Chris Clarke, Art Master, whilst on sabbatical.
23" x 29.5"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screen print, signed in pencil, labelled 'Artist's Proof'.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Screen print, signed in pencil, numbered 7 of an edition of 10.
20.5" x 18.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
13.25" x 13.25"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
13.25" x 13.25"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
13.25" x 13.25"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
12.5" x 13.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Linocut, numbered 9 of an edition of 20.
14.75" x 18"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed in pencil.
21" x 20.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist and numbered 19 of a limied edition of 250.
23" x 30"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist and numbered 11 of a limied edition of 250.
23" x 30"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed in pencil, numbered 2 of and edition of 50.
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Lithograph, signed and dated and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 300, on wove paper, with full margins.
35" x 28"
Bought at Bloomsbury Auctions, Tuesday 28th June 2005, for the school by Eddie Smith, Archivist, for £300.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
29" x 37"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Numbered 28 out of a limited second edition of 30.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist in pencil, numbered 4 of a limited edition of 10.
25" x 20"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Drypoint, signed in pencil, numbered 63 of a limited edition of 75, on BFK Rives paper, with wide margins, minor light-staining, paper tape along extreme edges of sheet recto, scattered pale foxing verso, otherwise in good condition
560mm x 725mm
Bought at Bloomsbury Auctions, Tuesday 28th June 2005, for the school by Eddie Smith, Archivist, for £700.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
36" x 31"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Titled, dated and signed by the artist in pencil with a dedication to 'Westminster Etching Room'.
13" x 11"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Etching from a limited edition of 20
6" x 8"
Purchased from Simon Crow, Art Master, by the Classics Department.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
16.5" x 20.5"
Donated to the school by Chris Clarke, Master, upon his retirement in 2012, with express instructions that it should be hung in the Common Room Gentlemen's Lavatories.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
14" x 17.5"
Donated to the school by Chris Clarke, Master, upon his retirement in 2012, with express instructions that it should be hung in the Common Room Ladies' Lavatories.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
7.5" x 11.75"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed in pencil by the artist, 62 of a limited edition of 175
21" x 25.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Numbered 10 of an edition of 50
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Numbered Artist's Proof 37/50, colour linocut, published by Curwen Prints
44cm x 57cm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Numbered Artist's Proof , colour linocut, published by Curwen Prints
40.5cm x 56cm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
24" x 24"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Photographic reproduction printed in colours, 1976, on wove paper, signed, entitled and numbered in pencil
16" x 34"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
18" x 12"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
15" x 15"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
15" x 16"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
15" x 16"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
15" x 15"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Original Lithograph in colours published in Verve Teriade No. 27/28 in 1952.
27" x 20.5"
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Original color lithograph, printed 1960 at Mourlot and Draeger in Paris. Published in Marc Chagall's illustrations to the bible 'Verve 37/38'.
16" x 22.5"
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist and numbered 17 of a limied edition of 250.
23" x 30"
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist.
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist.
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed by the artist.
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
11" x 13"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Woodcut, Limited edition of 200
22" x 24.5"
Purchased from the Tate for £260
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Signed lower right, numbered and titled. Limited edition 131 of 350.
32cm x 28cm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Westminster School I (Levinson 114); Lithograph printed in colours, on Barcham Green wove, signed and numbered 8 of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
429mm x 584 mm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Westminster School II (Levinson 115); Lithograph printed in colours, on Barcham Green wove, signed and numbered 8 of an edition of 100 in pencil, printed by Curwen Studios, published by Paul Cornwall-Jones.
429mm x 584 mm
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Exhibited at the Walker Art Gallery, Liverpool, 1905. Titled and signed verso.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Exhibited at the Walker Art Gallery, Liverpool, 1905. Titled and signed verso.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
From the artist's sketchbook c.1905.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
From the artist's sketchbook c.1905.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
From the artist's sketchbook c.1905.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
From the artist's sketchbook c.1905.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
From the artist's sketchbook c.1905.
Donated by Dr Rudy Capildeo (Westminster parent) to the school via Housemaster Richard Kowenicki
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Found in Liddell's in 2017.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
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Published
Published
Published
Published
Purchased through the support of the School Society.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Published
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The Unknown Warrior was chosen for Westminster Abbey in 1920, from four unknown warriors who fought for Britain during the First World War, and who died in four different battle areas. In the summer of 2017 the artist spent time in the four locations (the Aisne, the Somme, Arras and Ypres), making studies of the landscapes as they are now. This oil painting is one of a series of four stemming from these visits. This painting has been made across four separate canvases, one for each unknown warrior and each canvas is the same size as a Commonwealth War Grave (2 ft 6 in. in height and 1 ft 3 in. in width).
Purchased by the school from the artist.
The Arras paintings stem mostly from the landscapes around Vimy Ridge. The remarkable monument on top of the ridge, designed by Walter Seymour Allward, can be seen on the horizon behind the paintings. Most of the studies made in Arras depicted trees, but despite repeated attempts to include them in this painting they had to be removed. The focus of the image, instead, is the ridge itself, drawn from this spot very hurriedly.
Initial work in this location was done when the field had just been ploughed and was devoid of crops - rather different from when the finished paintings returned to the site.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
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https://johnwoodman.com/the-unknown-warrior/lands-of-unknown-warriors
Published
Landscape of a rural scene, with the Thames and St. Paul's in the distance. There are two figures in the left foreground and three horses to the right. there is light from the setting sun in the west.
Gift to John Morton Wilson by the Old Grantite's Club on his retirement as Housemaster in 1963. Returned to the school by his son in August 2021.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
COCKERELL, CHARLES ROBERT, second son of Samuel Pepys Cockerell, Westbourne Lodge, Paddington, architect and Surveyor to East India Co., and Anna, dau. of John Whettam, St. Ives, Hunts.; b. 28 Apr 1788; adm. 29 Apr 1802 (Clapham); Min. Can. 1802; in school list Oct 1803; entered his father’s office at age of 16; in office of Sir Robert Smirke 1809-10; on architectural study tour in Greece, Asia Minor, Sicily and Italy 1810-7; participated in discovery of Aeginetan and Phigaleian Marbles; commenced architectural practice on return to England; Surveyor, St. Paul’s Cathedral, 1819-54; ARA 1829, RA 1836, Professor of Architecture at Royal Academy 1839-57; architect to Bank of England, 1833; “at once the most fastidious and the least pedantic of English neo-classical architects” (Colvin); his principal architectural works included the University Library, Cambridge, 1837-40, the Ashmolean Museum and Taylorian Institution, Oxford, 1841-2, and a series of provincial branch buildings for the Bank of England; DCL Oxford 20 Jun 1844; completed the Fitzwilliam Museum, Cambridge, 1845-7, and the interior of St. George’s Hall, Liverpool, 1851-4; Hon FRIBA 9 May 1836, FRIBA 3 Dec 1849, President 1860-1, Gold Medallist 1848; FSA by 1831; member, Society of Dilettanti, 1858; designed the scenery for the Westminster Latin Play, painted under his superintendence by Fenton and used for the first time in 1857; retired from practice 1859; author, The Temples of Jupiter Panhellenius at Aegina, and of Apollo Epicurius at Bassae, 1860, and other works; m. 4 Jun 1828 Anna Maria, dau. of John Rennie FRS, civil engineer; d. 17 Sep 1863 and buried St. Paul’s Cathedral. DNB.
Published
23ft x 23ft
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
COCKERELL, CHARLES ROBERT, second son of Samuel Pepys Cockerell, Westbourne Lodge, Paddington, architect and Surveyor to East India Co., and Anna, dau. of John Whettam, St. Ives, Hunts.; b. 28 Apr 1788; adm. 29 Apr 1802 (Clapham); Min. Can. 1802; in school list Oct 1803; entered his father’s office at age of 16; in office of Sir Robert Smirke 1809-10; on architectural study tour in Greece, Asia Minor, Sicily and Italy 1810-7; participated in discovery of Aeginetan and Phigaleian Marbles; commenced architectural practice on return to England; Surveyor, St. Paul’s Cathedral, 1819-54; ARA 1829, RA 1836, Professor of Architecture at Royal Academy 1839-57; architect to Bank of England, 1833; “at once the most fastidious and the least pedantic of English neo-classical architects” (Colvin); his principal architectural works included the University Library, Cambridge, 1837-40, the Ashmolean Museum and Taylorian Institution, Oxford, 1841-2, and a series of provincial branch buildings for the Bank of England; DCL Oxford 20 Jun 1844; completed the Fitzwilliam Museum, Cambridge, 1845-7, and the interior of St. George’s Hall, Liverpool, 1851-4; Hon FRIBA 9 May 1836, FRIBA 3 Dec 1849, President 1860-1, Gold Medallist 1848; FSA by 1831; member, Society of Dilettanti, 1858; designed the scenery for the Westminster Latin Play, painted under his superintendence by Fenton and used for the first time in 1857; retired from practice 1859; author, The Temples of Jupiter Panhellenius at Aegina, and of Apollo Epicurius at Bassae, 1860, and other works; m. 4 Jun 1828 Anna Maria, dau. of John Rennie FRS, civil engineer; d. 17 Sep 1863 and buried St. Paul’s Cathedral. DNB.
Published
23ft x 23ft
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
20" x 16"
Donated by Philip Athill
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
59" x 27.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Tapestry by Chris Clarke, Art Master, produced in honour of the School's 450th Anniversary.
13" x 13"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
16" x 13.25"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
23" x 28"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
16" x 18.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
14.5" x 18"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
17" x 23"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
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Published
In pencil on headed notepaper marked 'S. Fitzroy Street, W. 1. / Museum 5596'
16.5" x 22"
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Published
31" x 24"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
22.5" x 28.5"
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Published
Original watercolour produced by Alison Merry as part of the school's 450th anniversary celebrations in 2010. A limited number of prints were sold and two of these are displayed in the school (see WS.PIC.003.31, WS.PIC.003.32 and WS.PIC.003.60)
25" x 32"
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Published
Church of St. John the Baptist at Whitbourne by master, Alexander Crole
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Published
20" x 24"
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
124cm x 150cm
Sir Alfred Edward East was a Westminster parent. His only son, Alfred Tomlin East (AHH 1891-1895) was killed in the First World War on 25th September 1915.
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Published
28.5" x 31"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
28.5" x 31"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
36cm tall
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Published
36cm tall
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
20" x 23"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
13" x 8"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
22" x 26.5"
Donated by Andrew Brown, Master
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
10.5" x 13.5"
Donated by Andrew Brown, Master
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
22" x 29.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
29" x 20"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
31" x 22.5"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
12.5" x 18"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Landscape view with cottage
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Published
23" x 31"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
31" x 25.5"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
31" x 25.5"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
31" x 25.5"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
12" x 10.5"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House from previous Housemaster, John Arthur.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
12" x 10.5"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House from previous Housemaster, John Arthur.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
33" x 27"
Purchased by Keith Tompkins whilst Housemaster of Rigaud's House. Keith Tompkin's godfather worked for the artist, John Pawle.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
25" x 20"
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
18" x 15"
Purchased by John Arthur whilst Housemaster of Rigaud's House.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
17" x 24"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
17" x 24"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
16 "x 20"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
16" x 20"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
36.5" x 29"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
36.5" x 29"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Numbered 10 of an edition of 200. Indistinctly signed.
32cm x 28cm
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Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Given by the artist to David Hargreaves, Master of Grants.
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Published
82cm x 122cm
Purchased by Hakluyt's Housemaster, Guy Hopkins, with a grant from Hakluyt's parents.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Purchased by the Archives Committee to add to the permanent collection, Election Term 2015.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Published
Published
A pale sphere on a dark blue background, created in mixed media using plastic sheeting burnt away to produced a textured surface.
Purchased by the Archives Committee to add to the permanent collection, Election Term 2016.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Photographic print of a female figure, obscured through mottled glass.
Purchased by the Archives Committee to add to the permanent collection, Election Term 2017.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Three small studies of pupils in oil on plywood.
Purchased by the Archives Committee to add to the permanent collection, Election Term 2017.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Published
Published
Published
Abstract composition with structural coloured lines on a black background, in pastels.
Purchased by the Archives Committee to add to the permanent collection, Election Term 2018.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Three portraits in oil in reds on a large canvas
Purchased by the Archives Committee to add to the permanent collection, Election Term 2019.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
A portrait in oil in reds on a large canvas
100cm x 140cm
Purchased by the Archives Committee to add to the permanent collection, Play Term 2021.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
A triptych of portraits in gouache on plywood in a cubist style. The portraits are of Theo Naylor Marlow.
Each panel is 21cm x 32cm
Purchased by the Archives Committee to add to the permanent collection, Election Term 2022.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Published
Published
Published
Two portraits on board with red backgrounds. One depicts Dr Ransford Agyare-Kwabi and the other a fellow pupil.
42cm x 29.5cm and 42cm x 59.5cm.
Purchased by the Archives Committee to add to the permanent collection, Election Term 2023.
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School's Policy on Archive and Heritage Collections, and under provisions of any relevant copyright legislation. Permission to reproduce images of items in the custody of Westminster School must be sought from its Governing Body.
Published
Published
Published
Watercolour painting of the Busby Library. Pencil and watercolour on paper, resembles the Busby Library today, except that the ceiling and presses are now replicas of these, and the presses lack the metal bars; a scholar stands in the middle of the room and another sits in the corner, Busby's chair is in the middle of the room; desks line the walls. Glazed with glass Previously referenced as P0001/72
19" x 24"
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
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Published
Watercolour on paper; a group of scholars in gowns and mortar boards; the Abbey is in the background.
13" x 10"
Bought by the school in 1927 from H M Allan. It is doubted that the artist is Rowlandson, Henry William Bunbury has been suggested.
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Published
Scott is portrayed in caricature, facing left; he wears black academic dress and collar; he is swinging a whip in his right hand at a spinning top on the left; on the right is a mortar board; the background shows Little Dean's Yard facing East, with the archway up School.
12" x 8"
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Published
Facing the south-west corner of the room; shows the fireplace on the right in the foreground; on the left are a pair of wooden chairs and an orange armchair; on the far left is a dresser with a blue jug and plate upon it.
9.25" x 8"
A note on the reverse describes the picture as 'The Dean's House, Westminster'.
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Monier-Williams, Randall Herbert, son of Montagu Sneade Faithfull Monier-Williams, M.R.C.S., of South Kensington, by Florence Isabel, daughter of Frederick Sydney Littlejohn, of Brooklyn, U.S.A.; b. Sept. 3, 1891; adm. Sept. 22, 1904 (H); left July 1910; Ch. Ch. Oxon., matric. Michaelmas 1910; B.A. 1913; enlisted in 5th Batt. East Surrey Regt. Aug. 1914, and served until Nov. 1915, when he was invalided; Lieut. R.N.V.R. 1917, and served with the Brit. War Mission, U.S.A., until 1919; adm. a solicitor Dec. 1920, practises in London; clerk and solicitor to the worshipful Co. of Tallow Chandlers since 1928; m. Dec. 7, 1922, Sylvia Francesca Tristram, daughter of Thomas Wadham Stoll, of New York, U.S.A.; d. 22 May 1984.
Published
Up School from the south end; the chairs are set out as for prayers; the shell is absent; the bust of Busby now on the Grand Staircase is at the far end; there is a desk and chair on the left of the foreground.
26" x 20"
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Published
28.5" x 24"
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Published
A view of the East Cloister of the Abbey, looking North towards the Dark Cloister; two men in clerical robes are talking in the middle ground; a couple in the background walk arm-in-arm towards the entrance to the Dark Cloister, tools and an apron are lying on the right of the foreground.
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Published
Yard, facing East. A man in clerical robe and surplice and three scholars in formal dress and surplices are in the right foreground. Two men talk in the left foreground, one in red clerical robe and surplice. Two boys can be seen at the top of the stairs up School.
26" x 29"
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Published
Pencil and watercolour illustration. The Grand Staircase from the first landing, looking up towards the door to the Greene Library; the chandelier can be seen in the centre of the picture.
26.5" x 33.5"
Painted for the Sunday Times, given to the School by Lord Remsley
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FORTESCUE-BRICKDALE, SIR CHARLES, eldest son of Matthew Inglett Fortescue-Brickdale (qv); b. 1 Mar 1857; adm. 16 Jun 1870 (James'); QS 1871; one of the founders of The Elizabethan in 1874, designing its original headpiece, and also an illuminated school prayer book, which he presented “curae monitorum” (Elizabethan, I, 63, and xvii, 192); left (with Triplett) Whitsun 1875; Christ Church, Oxford, matr. 20 May 1875; BA 1879; adm. Lincoln’s Inn 2 May 1877, called to bar 17 Nov 1883; Assistant barrister, Land Registry Office 1888, Assistant Registrar 1894, Registrar and Chief Registrar 1900-23; knighted 1 Jan 1911; JP Gloucestershire; a Busby Trustee from 16 May 1916; author, various publications on transfer of land; m. 5 Sep 1888 Mabel Beatrice, eldest dau. of George Louis Monck Gibbs, Bramley, Surrey; d. 20 Sep 1944.
Published
The man on the left is tall with white hair surrounding a large bald patch (Liddell); the man on the right is much smaller, he has grey hair and wears a black hat.
12.5" x 17"
Given to the School by Edward Grey (OW 2000)
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Published
Ashburnham House is covered with Virginia Creeper and has railings outside seperating the front garden from Little Dean's Yard
28" x 22"
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Published
Pencil and watercolour sketch of demolition of Turle's House Ashburnham House just visible in left foreground; a ladder rests against the wall where Turle's House stood
5.5" x 4.5"
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Published
Pencil and watercolour sketch, showing 'The Portico of Ashburnham House from the Front Court'
4.5" x 5.5"
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Published
Watercolour of a rowing eight sitting at front-stops; to the right foreground floats a buoy, to the left two little rowing boats of spectators. In the background are trees and buildings, to the left a bridge, presumably Putney Bridge.
11.5" x 9"
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Published
View of the south-west side of Little Dean's Yard, from Liddell's Arch through to Ashburnham House. Several figures in school dress are depicted in the Yard.
26.5" x 33.5"
Painted for the Sunday Times, given to the School by Lord Remsley
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Published
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Published
Framed pencil drawing of Westminster Abbey and Dean's Yard from the South West. Label on reverse of the original mount at purchase stated: "Paul Sandby - 1725-1809 Westminster abbey and Dean's Yard from the South West. Pencil. Pencil 'F' mark Ex. Coll. Admiral Sir James Hawkins-Whilshed 1762-1849 Purchased: Sotheby's 14/4/1994."
15" x 9.5"
Purchased by the School in 2007 from Abbot & Holder Cat. No. (?) 31155
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Published
Framed and glazed watercolour of Liddell's Arch. Frame: Fine gold gesso frame with school crest top centre [frame condition: needs restoration] Front: signed "Fred Roe" Title: Handwritten "How far that little candle throws his beams" [Line taken from Merchant of Venice Act V sc 1] continues "so shines a good deed in a naughty word" Back: label reads: "Royal Institute of Painters in Water Colours 195, Piccadilly, London W.1. No. 1 The Lighted Gateway Westminster School Fred Roe R.I. 18, Stanford Road, Kensington Court, W8, Price 40s ."
Extract from The Elizabethan (1925):
"It represents the entrance to Yard by the Master's Common Room, in the light of the lamp under the arch. Unlike several recent etchings of the School buildings, which have been content with greater or less skill to depict the facts, the artist has in this case made a definite attempt to portray the spirit of an old building at its best and most peaceful moment, a winter evening. How far he has succeeded we hope our readers will judge for themselves, for it is a picture which deserves to be in the hands of all who love the Westminster of reality more than the Westminster of the guide books."
Extract from a review referred to in The Elizabethan (1925):
"All the oldest of the School buildings are constructed from remnants of the monastic structures, among the most noteworthy being the gateway depicted in the water-colour by Mr. Fred Roe, R.I. Built by Abbot Litlington in the second half of the 14th century, the gateway, as the main connecting link between the School and the outer precincts, has been one of the dearest recollections of countless generations of Westminsters. Consider the illustrious dead who have helped to tread away its stones! Ben Jonson, Cowley, Dryden, Matthew Prior, Cowper, Southey; Locke and Gibbon; Sir Christopher Wren; Warren Hastings and Sir Elijah Impey; Lords Combermere and Raglan; Sir Edward Poynter, P.R.A.; Gustave Hamel; represent but a fraction of the famous O.WW. who passed and re-passed beneath its vaulting. Add to these the names of statesmen like Earl Russell; of Churchmen like Atterbury; bishops and archbishops (as the late Mr. John Sargeaunt so well put it) "too numerous to mention, Lord Mansfield and Charles Wesley too great to omit"; and some idea can be formed of the intimate importance to Westminsters of this historic pile.
Mr. Fred Roe's drawing of the gateway shows it in what is perhaps its most picturesque aspect, with the familiar lamplight forming a striking contrast to the falling darkness. To attain this effect on the spot was a task of no mean order, but that the artist has succeeded admirably in conveying its air of mystery and studious calm is never for a moment in doubt. The essential Westminster atmosphere is sympathetically interpreted, while to link the past with the present Mr. Roe has introduced the figures of a King's Scholar and a Town Boy as they are to-day. Behind them, in dim silhouette, appears one of that brilliant succession of Masters who, from Camden and Busby onwards, have helped to shed the light of the School over so many climes and centuries."
27" x 32"
Donated by Peter T. Lewis?
The Elizabethan (1925) mentions publishers S. Hildersheimer & Co. Ltd., 96 Clerkenwell Rd., E.C.1., sending a proof of the painting.
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Published
Watercolour painting marked "Grants Yard, Westminster School by H. R. Robertson" Back: Label "Up Grant's H.R. Robertson 1 Stedes Studios Haverstock Hill NW Dec. 1906"
590mm x 435mm
Oswald Lewis (OW 1901-1905), father of Peter Lewis, commissioned this painting for himself c. 1908. He always intended it to be given to Westminster School. Donated by his son in 2010.
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Published
Half length, seated in a chair, wearing clerics robes. In a particularly fine contemporary carved giltwood frame, bearing maker's label. "WYATT, High Street, Oxford."
35.5" x 28"
Probably commissioned by William Courtenay, 10th Earl of Devon. The present painting is a version of the prime version by William Owen (Christ Church College, Oxford) which was exhibited at the Royal Academy in 1811. Donated by David Galtry Coaten, 2010
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Published
Source and artist unknown. View from Grant's boarding house Pictures two boysmasters in gowns and mortar boards; two boys in pink jackets and white trousers, with pink hats.
19.5" x 17"
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Published
26" x 20"
Donated to the school by J.C.W. Horne (OW KS 1913-1918) in 1953.
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Published
15" x 18"
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Published
20" x 17.5"
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Published
890mm x 1300mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
920mm x 600mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
650mm x 810mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
500mm x 730mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
810mm x 1150mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
600mm x 1200mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
890mm x 1300mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
965mm x 1620mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
920mm x 600mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
650mm x 810mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
620mm x 730mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
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Published
810mm x 1160mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
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Published
Alternatively titled 'Poppies'
650mm x 500mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
810mm x 650mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
815mm x 1300mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
890mm x 1300mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
900mm x 750mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
730mm x 500mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
920mm x 600mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
610mm x 500mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
500mm x 730mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
380mm x 460mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
1280mm x 920mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
610mm x 380mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
810mm x 650mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
146mm x 895mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
760mm x 610mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
1000mm x 650mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
730mm x 760mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
1000mm x 650mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
860mm x 730mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
810mm x 650mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
685mm x 375mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
460mm x 550mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
405mm x 510mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
550mm x 380mm
Donated to the School in 2011 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School
Published
Donated to the School in 2012 by Barbara Robinson in memory of her brother Peter Hugh Jefferd Lloyd Jones (KS 1935-1940).
Access to collection items is granted to bona-fide researchers, by prior appointment, subject to the overriding provisions of relevant legislation, including Data Protection.
A reprographics service is available to researchers subject to the access restrictions outlined above. Copying will not be undertaken if there is any risk of damage to the item. Copies are supplied in accordance with Westminster School