Brief given to the Elizabethan Club Committee regarding organising the Ball to celebrate the 450th Anniversary of Westminster School.
Ticket for the Eleventh Adrian Boult Memorial Concert, performed by Emma Kirkby (Soprano), Evelyn Tubb (soprano) and Westminster Abbey Choir. Thursday 9th November 1995. 7:30pm.
Programme Notes for the Eleventh Adrian Boult Memorial Concert, performed by Emma Kirkby (Soprano), Evelyn Tubb (soprano) and Westminster Abbey Choir. Thursday 9th November 1995. 7:30pm.
Programme booklet for the Eleventh Adrian Boult Memorial Concert, performed by Emma Kirkby (Soprano), Evelyn Tubb (soprano) and Westminster Abbey Choir. Thursday 9th November 1995. 7:30pm..
Programme Notes for the Adrian Boult Memorial Concert, performed by Peter Donohoe. Thursday 20th May 1993. 7:30pm at Westminster School.
Invitation for the Adrian Boult Memorial Concert, performed by Peter Donohoe. Thursday 20th May 1993. 7:30pm at Westminster School.
Concert Programme for the Adrian Boult Memorial Concert, performed by Peter Donohoe. Thursday 20th May 1993. 7:30pm at Westminster School.
Programme Booklet for The Eighteenth Sir Adrian Boult Memorial Concert, Tuesday 11th March 2003, 7:30pm at The Great Hall, Westminster School. Featuring the London Mozart Players.
One copy annotated on reverse by R.S. Chalk, as follows:
'The ‘Dryden Form’ was kept unobtrusively somewhere behind the semicircle of seats for the Monitorial Council at the N. end of School. Few saw it there, and few cared.
It was first pointed out to my father and myself by E.L. Fox when I appeared for my first Challenge in 1918.
No doubt (likes so much else stored Up School) it perished for ever in the Blitz.
The Form itself was exceedingly rough, worn by the seats of generations.
In the dim light of School the letters could barely be made out (It may be noticed John Brown has traced them round in chalk for this photograph). To my mind it is open to question whether they were carved by the Poet or by his son of the same name (K.S. 1682-5). Nearby was cut in huge, deep letters ‘A.SLADE’. We all knew the tradition that it had cost him 500 lines for each letter (see L.E. Tanner, p32)'