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John Peter Winckworth (GG 1922-1927). Head and shoulders, turned to the left of the picture; he wears a suit with black tie; the background is black. Subject is named as 'Henry Lawrence' in Helen Draper's 1996 Conservation Report, but the name Winckworth is clearly written on the back of the canvas and the date of the painting and appearance of the subject support this attribution.

Head and shoulders, turned to the left; he wears a scholars' dress with white bow tie, brown background. Christopher Hildyard was a Canon at Westminster Abbey and friend of Head Master, John Carleton.

Three-quarters length; Rae reclines with his body facing the left of the picture, although he is portrayed full face; he supports his head with his left hand; he wears red robe, academic collar and gown. Signed l.r.: Richard Stone

Three-quarters length portrait of Williams, who stands turned to the right wearing black robes with a white ruff, black hat and moustache; his right hand rests horizontally across his stomach while his left hand drops to its natural position. On the right of the picture is Williams' coat of arms, inscribed with the identity of the sitter and the date of 1621.
Possibly a variant of a portrait of 1627 by Jackson at St John's College, Cambridge.

Half-length portrait of Wingfield, wearing academic dress and collar; he also wears a fine wig. Bears signature c.l.: John Constable/Pinx. 1818 and later inscribed upper left with the identity of the sitter.

Half-length portrait of Joseph Tyson, Classics Master and Bursar (1885-1929) sitting; he leans slightly to the right of the picture; he is writing on a piece of paper on his desk; he wears a suit and tie; in the top left is a picture of a ship

Watercolour on paper; a group of scholars in gowns and mortar boards; the Abbey is in the background.