Half-length portrait of Wingfield, wearing academic dress and collar; he also wears a fine wig. Bears signature c.l.: John Constable/Pinx. 1818 and later inscribed upper left with the identity of the sitter.
Three-quarters length portrait of Vincent facing to the left of the portrait, seated wearing a black silk cassock; he sits on a Gainsborough chair covered in red with fluted arms; his right hand sits in his pocket, his left on the chair arm; a medallion, the Order of the Bath, hangs from a red ribbon round his neck; in the bottom-right of the picture is a globe; on the left is an open Bible and a scroll, upon which the name of the artist and the date 1811 are written.
Three-quarters length portrait on a much reduced scale. Hobart is seated in a red chair, wearing black, with his hands clasped in his lap; he faces slightly towards the left; to the right is a low table with a number of bundles of papers tied up with red cord or ribbon.
Half length, turned to the left, with his hands rested on a table; a piece of paper lies under his left hand; to the left is a pile of books the top one having traced of gilding on the binding; Nowell wears ecclesiastical dress and a wide brimmed hat; a fishing rod sits above him. The painting bears a coat of arms and extensive inscriptions begining 'Alexander Nowellus Sacra Theol...'
Half length, wearing a black coat and skull cap Inscribed l.r.: Marcus Gheeraerts pinxit, and inscribed u.l. with the identity of the sitter and his coat of arms. Extensively inscribed in Latin on a tablet beneath.
Half-length portrait of Carey in black academic dress and collar; he faces the left of the picture but his head is turned almost full face; a red curtain hangs behind him.
Half-length portrait of Gow seated, turned left; he wears a red cassock over black academic dress and collar; he sits on a carved chair; his hands rest on a book with the school arms upon it; there is a pilaster on the wall behind him.
