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One copy annotated on reverse by R.S. Chalk, as follows:
'The ‘Dryden Form’ was kept unobtrusively somewhere behind the semicircle of seats for the Monitorial Council at the N. end of School. Few saw it there, and few cared.
It was first pointed out to my father and myself by E.L. Fox when I appeared for my first Challenge in 1918.
No doubt (likes so much else stored Up School) it perished for ever in the Blitz.
The Form itself was exceedingly rough, worn by the seats of generations.
In the dim light of School the letters could barely be made out (It may be noticed John Brown has traced them round in chalk for this photograph). To my mind it is open to question whether they were carved by the Poet or by his son of the same name (K.S. 1682-5). Nearby was cut in huge, deep letters ‘A.SLADE’. We all knew the tradition that it had cost him 500 lines for each letter (see L.E. Tanner, p32)'

One copy annotated on reverse by R.S. Chalk, as follows:
'Back of Grant’s 1918-24
A portion of the School precincts I naturally never once set eyes on during all those years. Except for Monitors (on official duty) no member of any one of the five Houses was allowed to set foot inside another.
This no doubt Grant’s Yard (somewhat more specious than its counterpart up RR next door). The windows are protected by wire-mesh because of the ‘Yard Game’ played there, the counterpart of RR Yard Game. This was a kind of miniature football played four-or-five-a side with a rubber ball about 4 inches in diameter. A very fast game (and too rough for me personally). If the ball was ‘popped’ on an iron spike or (more likely) ‘skied’ into GG Yard next door, it meant an outlay of 6d, on another, if available. We would call, “Thank-you ball Grant’s!!” Sometimes our ball would come back, but not often. (GG balls were never skied into RR Yard!)'

One copy annotated on reverse by R.S. Chalk, as follows:
'Memories 1918-1924
In Dr Gow’s last year (1918-19) few boys had occasion to enter the HM’s house except for a Confirmation interview (as also under H.C.W.).
It was different when H.C.W. came in 1919. He and his wife set out to entertain all boarders to dinner, two by two. I recall going in fear and trembling with an even smaller Under School boy- and being much relieved by the kind welcome we received. Monitors and Senior K.SS were later invited from time to time.
While in charge of the School Coin Collection from c.1922 to 1924, I was allowed unlimited access to the landing where the Cabinet was kept. (This was a great privilege).
I have also happy recollections of private tuition classes in Theocritus conducted by the H.M. in evenings of Play 1923 and Lent 1924 for KSS in the VII. These played no small part in the Open Scholarships some of us gained at that time.'

Half-length oval portrait; Ellis is inclined slightly to the right of the picture; he wears a mortarboard, academic collar and black gown. Glazed.

Pencil and gouache on paper, an oval portrait; Abbot as Scholar in the Second Election; he faces towards the left, wearing a blue suit.

Half-length portrait; he faces towards the left of the portrait; he wears black academic dress and collar, and a grey wig. Inscribed top-left with the name of the sitter.

Half-length portrait on a much reduced scale; Abbott is turned to the right; he wears a white cravat and black coat; the background is grey; framed in an oval. Marked on back "Anna Tonelli" "Fece in Londra 1794" and "Charles Abbot 1st Lord Colchester". Charles Abbot 1st Lord Colchester would have been in his 40s at the time of painting so it is likely that either the artist or sitter is mis-attributed.

College Garden, looking north-west towards the Abbey. College is visible on the left side of the painting. Two gardeners are visible: one in the left foreground with a barrow and one in the centre with a roller. A woman and boy are to the right of the painting and the child has a hoop.

Small oil portrait showing Southey's head and shoulders. He looks down and to his left.