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Half-length portrait of Aldrich wearing black academic dress and collar; his body is inclined to the left of the picture, but his head is turned so as to be almost full face. Inscribed top-left with the identity of the sitter.

Charles Jervas (1675-1739)

Half-length portrait on a much reduced scale, in a roundel in the centre of the picture; he wears Eighteenth Century costume and holds a book, with the inscription

Head and shoulders, in academic dress and collar, facing slightly to the left; contrived emphasis on the face of the light; inscribed in early 19th century hand 'John Hinchcliffe D.D. 1764'.

Half-length portrait turned to the right of the picture; he wears black academic dress and white collar. Carey is notabley younger than in other pictures in the school's possession.

Half-length portrait; Knipe is turned to the right of the picture; his head is surrounded by a fine wig; he wears black academic robes that fade into the dark background and a white collar. Inscribed:

Dyed, painted silk, on a hessian backing. On the left the arms of the Commonwealth: the crosses of St. George and St. Andrew and the Irish harp and in escutcheon a lion rampant guardant for Cromwell. On the right are the quarterings of his wife. Inscribed verso with: 'this ensign was snatched from the bier of the tyrant Oliver Cromwell, when his waxen effigy, adorned with royal state, was being magnificently displayed in the Church of St. Peter, Westminster'.

Three-quarters length portrait of Williams, who stands turned to the right wearing black robes with a white ruff, black hat and moustache; his right hand rests horizontally across his stomach while his left hand drops to its natural position. On the right of the picture is Williams' coat of arms, inscribed with the identity of the sitter and the date of 1621.
Possibly a variant of a portrait of 1627 by Jackson at St John's College, Cambridge.

Bust length, in a black doublet with white lace collar and later inscription on painted oval.