Mostrando 278 resultados

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278 resultados con objetos digitales Muestra los resultados con objetos digitales
Mother Grant III by James Warren Childe
GB 2014 WS-03-PIC-001/91 · Unidad documental simple · Early 19th Century
Parte de Westminster School's Archive and Collections

Miniature on bone or ivory; half-length portrait of a young woman, turned to the right; she wears a white dress and a red wrap; her hair is brown and curly. Inscription on back by Lawrence Tanner: 'This is a member of the Grant family of Westminster School ? 1967'

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Mrs. Charlotte Du Brieux
GB 2014 WS-03-PIC-001/11 · Unidad documental simple · 19th Century
Parte de Westminster School's Archive and Collections

Miniature of Mrs. Charlotte Du Brieux

Kept "Mother du Brieux's" Boarding House at No1. Dean's Yard. Formerly Mrs (Driffield) but subsequently married the Chevalier du Brieux ...

Nicholas Rowe after Sir Godfrey Kneller
GB 2014 WS-03-PIC-001/74 · Unidad documental simple · [18th Century]
Parte de Westminster School's Archive and Collections

In a painted roundel. Rowe faces the right, but is portrayed full face; he wears a white shirt and brown coat and a large grey wig Provenance: Left to the School by Janet Adam-Smith, wife of John Carleton, Head Master, who bought the painting in 1961.

GB 2014 WS-03-PIC-002/92 · Unidad documental simple · c. 1752
Parte de Westminster School's Archive and Collections

Pelham sits on the left to the front of the composition. He is depicted with dark blue-grey eyes and heavy eyebrows nearly concealing a wart above his right eye. His long grey wig falling in front of his left shoulder and behind his right. He wears his chancellor's gown with gold lace over black coat, with a flocked details, lace cravat and wrist ruffles. Pelham is seated in a plain red chair, draped curtain behind, a letter without writing in his left hand. On the right sits John Roberts, with dark blue-grey eyes and dark brows. He is positioned behind a table draped with a green cloth. Roberts wears a red coat with the top button fastened and lace cuffs; he holds a quill to a page and further papers topped by an inkstand holding a second quill can be seen on the extreme right. Behind Roberts is an archway with sky and trees visible beyond. The composition is lit from the top left.

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