Charles Asgill by Thomas Hudson
Three-quarters length portrait; seated on a fine Georgian II chair, with golden decoration; he wears a grey overcoat, grey britches, blue-grey hose, white cravat, white lace cuffs and a fine blue waistcoat; on a table to his left there is a quill standing in an inkwell, books and a piece of paper; a red curtain is draped behind this.
Hudson, Thomas, 1701-1779
Dr. Richard Busby after Henry Tilson
Half-length portrait of Busby wearing academic robes and a scull cap; his body and head are inclined to the left.
Head and shoulders of Busby wearing academic dress and a scull cap; he is inclined to the left. The portrait is surrounded by a painter oval and Busby's name and dates are painted in the top left corner
George Morley after Sir Peter Lely
Three-quarters length portrait; seated at a table, turned to the left, right hand on upright book, left hand on arm of chair, episcopal robes and mortar board, moustache and untidy fringe; curtain in the background.
Dr. Robert Freind attributed to Enoch Seeman
Half-length portrait of Freind wearing black academic dress, collar and wig; he is virtually full face although inclined slightly to the left of the painting. Inscribed top-left with the identity of the sitter.
Nicholas Rowe after Sir Godfrey Kneller
In a painted roundel. Rowe faces the right, but is portrayed full face; he wears a white shirt and brown coat and a large grey wig Provenance: Left to the School by Janet Adam-Smith, wife of John Carleton, Head Master, who bought the painting in 1961.
George Perrot by Joseph Highmore
In a painted oval. Perrot faces left, but is portrayed full face; he wears a white tie and a fine brown coat; he wears a grey wig.
Highmore, Joseph, 1692-1780
Dr. Richard Busby after Henry Tilson
Life-size head of Busby wearing academic dress and a scull cap; he is inclined to the left.
Charles I after Sir Anthony Van Dyck
Depicted full length, facing left; he sits upon a brown horse; he wears dark armour. To the right are a clump of trees, to the left a flat landscape.