Half-length oval portrait; Ellis is inclined slightly to the right of the picture; he wears a mortarboard, academic collar and black gown. Glazed.
Humphrey, Ozias, 1742-1810Head and shoulders, in academic dress and collar, facing slightly to the left; contrived emphasis on the face of the light; inscribed in early 19th century hand 'John Hinchcliffe D.D. 1764'.
Hone, Nathaniel, 1718-1784Half-length portrait; Knipe is turned to the right of the picture; his head is surrounded by a fine wig; he wears black academic robes that fade into the dark background and a white collar. Inscribed:
Dahl, Michael, 1659-1743Watercolour on paper; a group of scholars in gowns and mortar boards; the Abbey is in the background.
Rowlandson, Thomas, 1756-1827Three-quarters length portrait of Vincent facing to the left of the portrait, seated wearing a black silk cassock; he sits on a Gainsborough chair covered in red with fluted arms; his right hand sits in his pocket, his left on the chair arm; a medallion, the Order of the Bath, hangs from a red ribbon round his neck; in the bottom-right of the picture is a globe; on the left is an open Bible and a scroll, upon which the name of the artist and the date 1811 are written.
Owen, William, 1769-1825Landscape of the Thames at Windsor in the centre left background is Windsor Castle, framed by trees; its reflections can be seen in the river, which flows towards it, having emerged from the left of the picture; on the bank in the centre are five cows, and to the right there is a man seated upon a fallen tree trunk. The painting is signed in the bottom-right on the trunk of the tree: 'TCH 1816'
Hofland, Thomas Christopher, 1777-1863Half-length portrait of Wingfield, wearing academic dress and collar; he also wears a fine wig. Bears signature c.l.: John Constable/Pinx. 1818 and later inscribed upper left with the identity of the sitter.
Constable, John, 1776-1837Phillimore has curly black hair and pale skin; he is turned to the right of the picture; he wears a black coat and white open shirt; grey background.
Three-quarters length portrait on a much reduced scale. Hobart is seated in a red chair, wearing black, with his hands clasped in his lap; he faces slightly towards the left; to the right is a low table with a number of bundles of papers tied up with red cord or ribbon.
Half length, wearing a black coat and skull cap Inscribed l.r.: Marcus Gheeraerts pinxit, and inscribed u.l. with the identity of the sitter and his coat of arms. Extensively inscribed in Latin on a tablet beneath.