Head and shoulders, in academic dress and collar, facing slightly to the left; contrived emphasis on the face of the light; inscribed in early 19th century hand 'John Hinchcliffe D.D. 1764'.
Half-length portrait; Knipe is turned to the right of the picture; his head is surrounded by a fine wig; he wears black academic robes that fade into the dark background and a white collar. Inscribed:
Three-quarters length portrait of Vincent facing to the left of the portrait, seated wearing a black silk cassock; he sits on a Gainsborough chair covered in red with fluted arms; his right hand sits in his pocket, his left on the chair arm; a medallion, the Order of the Bath, hangs from a red ribbon round his neck; in the bottom-right of the picture is a globe; on the left is an open Bible and a scroll, upon which the name of the artist and the date 1811 are written.
Landscape of the Thames at Windsor in the centre left background is Windsor Castle, framed by trees; its reflections can be seen in the river, which flows towards it, having emerged from the left of the picture; on the bank in the centre are five cows, and to the right there is a man seated upon a fallen tree trunk. The painting is signed in the bottom-right on the trunk of the tree: 'TCH 1816'
Half-length portrait of Wingfield, wearing academic dress and collar; he also wears a fine wig. Bears signature c.l.: John Constable/Pinx. 1818 and later inscribed upper left with the identity of the sitter.
Three-quarters length portrait on a much reduced scale. Hobart is seated in a red chair, wearing black, with his hands clasped in his lap; he faces slightly towards the left; to the right is a low table with a number of bundles of papers tied up with red cord or ribbon.
Half length, wearing a black coat and skull cap Inscribed l.r.: Marcus Gheeraerts pinxit, and inscribed u.l. with the identity of the sitter and his coat of arms. Extensively inscribed in Latin on a tablet beneath.