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Portrait of the Right Hon. Henry Pelham, Chancellor of the Exchequer and 1st Lord of the Treasury, with his secretary, John Roberts

Pelham sits on the left to the front of the composition. He is depicted with dark blue-grey eyes and heavy eyebrows nearly concealing a wart above his right eye. His long grey wig falling in front of his left shoulder and behind his right. He wears his chancellor's gown with gold lace over black coat, with a flocked details, lace cravat and wrist ruffles. Pelham is seated in a plain red chair, draped curtain behind, a letter without writing in his left hand. On the right sits John Roberts, with dark blue-grey eyes and dark brows. He is positioned behind a table draped with a green cloth. Roberts wears a red coat with the top button fastened and lace cuffs; he holds a quill to a page and further papers topped by an inkstand holding a second quill can be seen on the extreme right. Behind Roberts is an archway with sky and trees visible beyond. The composition is lit from the top left.

Shackleton, John, d.1767

The Abbey from Tothill Street by James Millar

Distant view of the Abbey from Tothill Street; in the background right centre can be seen Hawksmoor's West Towers of the Abbey, in front of them lies the end of Tothill Street; on the north side of the street we see a 17th century shop and an 18th century shop with three bays and a four storey building of 18th century shops of eight bays; on the south side we can see a butcher's shop and a three bayed 18th century building with dormer windows; there are numerous frequenting chambermaids looking out of the top windows; shoppers and travellers stand in the street while a cart makes deliveries to the butcher.

Millar, James, c.1715-1792

Charles Abbot by Anna Tonelli

Half-length portrait on a much reduced scale; Abbott is turned to the right; he wears a white cravat and black coat; the background is grey; framed in an oval. Marked on back "Anna Tonelli" "Fece in Londra 1794" and "Charles Abbot 1st Lord Colchester". Charles Abbot 1st Lord Colchester would have been in his 40s at the time of painting so it is likely that either the artist or sitter is mis-attributed.

Tonelli, Anna, 1763-1846

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