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Two handled silver cup with crest 'In patrium populum que.' Not loaded. No cover. Awarded 1880 - 1883. Names of pupils inscribed under the base. Makers Mark reads R.W.

There are hallmarks but they are difficult to make out. Coin (1773) inserted in the base. Makers Mark reads IOM.

Distant view of the Abbey from Tothill Street; in the background right centre can be seen Hawksmoor's West Towers of the Abbey, in front of them lies the end of Tothill Street; on the north side of the street we see a 17th century shop and an 18th century shop with three bays and a four storey building of 18th century shops of eight bays; on the south side we can see a butcher's shop and a three bayed 18th century building with dormer windows; there are numerous frequenting chambermaids looking out of the top windows; shoppers and travellers stand in the street while a cart makes deliveries to the butcher.

A George III silver challenge cup and cover, with applied leaf decoration on lower part and lid, with elephant head and trunk handles, engraved with coat-of-arms and inscription in Latin with names of donors, inscribed T. Whipham Fecit, Fleet Street, oak case, repaired finial.

A two-handled tea urn with lid, the vase shaped body engraved with armorials and inscription above shell fluting and between bands of Vitruvian scrolls and beaded borders, engraved Samueli Smith Scholas Regaie Westmon: Archi Didas. Puerilae Memeres d.d.d. followed by the names of various Old Westminsters. Not loaded. Cover. Wooden case.

Pair of silver spoons. Paired with [T0001.063]

Half-length portrait on a much reduced scale; Abbott is turned to the right; he wears a white cravat and black coat; the background is grey; framed in an oval. Marked on back "Anna Tonelli" "Fece in Londra 1794" and "Charles Abbot 1st Lord Colchester". Charles Abbot 1st Lord Colchester would have been in his 40s at the time of painting so it is likely that either the artist or sitter is mis-attributed.

Small oil portrait showing Southey's head and shoulders. He looks down and to his left.

Half length, wearing brown robes. Oil on canvas, in a painted oval English School after Sir Godfrey Kneller, unfinished